Partitions moyen de Noël

Burkhardt has skillfully transcribed four classical works that can used during the Advent and Christmas season: Grieg’s Lyriske småstykker, Op. 68; Corelli's Pastorale, the sixth movement of his Conce...

Part of five seasonal works for organ based on appropriate hymn tunes.

Five seasonal works for organ based on appropriate hymn tunes.

A collection of Christmas classics arranged for Organ. Includes In Dulci Jubilo and Fantasia on Adeste Fideles. Suitable for intermediate standard.

In this suite of four Christmas songs written in 1950, Rowley's Organizing principle is dance rhythm. The first movement sets The Holly and The Ivy in a lilting 6/8 Sicilian rhythm. The second movemen...

Christmas Carol Song begins as a slightly grand adaptation of American composer C B Hawley's Christmas Cradle Song in a dotted 6/8 rhythm, to which the Adeste Fideles is added. English Organist and co...

For this Organ concluding voluntary, Hugh Blair choose two carols that sound authentically old and one, A Virgin Unspotted, which dates from the 17th century. The short piece includes a delightful rew...

Now available in a TTBB arrangement, the music fuses two Christmas themes: Still, Still, Still and Silent Night. Harp or piano. Available: SATB, SSAA, TTBB.

This much loved and performed arrangement starts from the soprano alone, adds the tenor and finally the full choir, with an alto solo. The instrumental accompaniment is flexible to fit various options...

Frauenchor mit Harfenbegleitung

The poem by Edmund Hamilton Sears evoking the first Christmas eve, inspired this arrangement of long lyric lines and warm, expressive harmonies. Optional oboe or flute. Available: SATB.

The arrangement of this much loved Christmas spiritual may be sung either a cappella or be performed with the optional conga part. The composer calls it a 'cross-inspiration' between traditional chora...

Composed for conductor Eph Ehly, this new arrangement of Adeste Fideles combines contemporary rhythms and an exuberant piano accompaniment in this setting of a familiar carol. This is a fine moderatel...

This tuneful setting of a traditional secular carol text contains subtle harmonic hints of older modalities, and was written for the composer's own high school choir. A lilting, flowing piano part sup...

Poem by Henry Wadsworth Longfellow (1807-1882)

Gary Fry's powerful and imaginative treatment of the familiar Christmas classic will move choir and audience alike. Can be performed with piano or synthesizer, or optional orchestral parts are availab...

From the suite Three Baltic Carols, this brisk and energetic song expresses joy about winter and the Christmas season. A secular carol, it would work well in holiday or winter concerts. The simple mel...

This little-known African-American spiritual has a good high school or university choir in mind. In this arrangement, about Mary and her baby, the bass line rocks through the piece, making this a grea...

With Jingle Bells words set to new music in a jazz waltz feel, along with a playful flute part, this song is easy to prepare, with a rewarding result! Suitable for most mixed choirs, this will be the...

Here's a wonderfully refreshing medley of seasonal favorites! Includes: The Holly and the Ivy, Angels We Have Heard on High, Ding Dong! Merrily on High! Available: 2-Part, 3-Part Mixed. Performance Ti...

Utilizing a traditional Latin text, fiery piano accompaniment and mixed meters, John Leavitt's popular festival piece is challenging, but definitely worth the extra effort. Use the optional percussion...

Utilizing a traditional Latin text, fiery piano accompaniment and mixed meters, John Leavitt's popular festival piece is challenging, but definitely worth the extra effort. Use the optional percussion...

Utilizing a traditional Latin text, fiery piano accompaniment and mixed meters, John Leavitt's popular festival piece is challenging, but definitely worth the extra effort. Use the optional percussion...

Utilizing a traditional Latin text, fiery piano accompaniment and mixed meters, John Leavitt's popular festival piece is challenging, but definitely worth the extra effort. Use the optional percussion...