Partitions moyen de Musique sacrée et d'église

Schoepsdaus 'New York Mass' gehört zu den wenigen Messkompositionen, die konsequent eine organische Verbindung von Komposition und Improvisation anstreben. Dabei basiert das Werk auf dem englischen Me...

Ajoutez une touche contemporaine à votre programme de Noël grâce à cette version revisitée de < Angels From the Realms of Glory >. Avec ses harmonies et ses rythmes jazz, ainsi que ses mesures à 5/4 e...

20 songs of worship wonderfully arranged for easy piano by Phillip Keveren: As the Deer - El Shaddai - Give Thanks - How Beautiful - How Majestic Is Your Name - Lord, I Lift Your Name on High - Oh Lor...

This easy piano songbook contains 17 congregational classics arranged by Phillip Keveren, including: All Hail the Power of Jesus' Name - Be Thou My Vision - Come, Thou Fount of Every Blessing - Christ...

52 hymns that will keep you playing all year long! Each song also includes a brief history by Lindsay Rickard.

10 more gorgeous hymn arrangements from Glenda Austin.

10 more wonderful arrangements of beloved hymns, a few with unique and unexpected harmonies that congregations will enjoy

Lloyd Larson a repris plusieurs des arrangements les plus familiers des paroles immortelles de Fanny Crosby et les a revitalisés dans cette collection de dix solos de piano. S'inspirant de la traditio...

Remplissez l'église de louanges ! Cette collection d'hymnes exaltants de Tracey Craig McKibben est conçue à cet effet. Il présente une variété de styles et d'ambiances, de l'exubérant au plaintif, mai...

This composition is taken from the well-known Secular Cantata for Bass Voice Amore Traditore. In playing over this Cantata the writer was impressed by the sparkling vivacity and brilliance of the Cemb...

Adapted from Bach's original by Walter Rummel. 'Ertödt' uns durch dein Güte!'

Adapted by Walter Rummel from J. S. Bach's original. 'Vater unser im himmelreich.'

Adapted from the organ by Walter Rummel from J. S. Bach's original. 'Das alte jahr vergangen ist.'

This aria is taken from the D major Magnificat and was scored for alto voice with organ, continuo and two flutes accompanying. A gracious Gavotte, this time without a chorale, needing no commentary. '...