Partitions moyen de Musique latine

9 Tangos verschiedener Komponisten. Tango Pequeno (Hermann Illenberger) Gabriela (Heinz Both) Ilonka (Andreas Hermeyer) Tango por Raquel (Alexander Jekic) Tarragona (Franc Zibert) Hasta Luego (Karlhei...

Die 5 Tangos Brasileiros sind ursprünglich für Klavier geschrieben und sind geprägt von großer Virtuosität. Franc Zibert hat bei der vorliegenden Bearbeitung versucht, die Tangos auf die Möglichkeiten...

Rendez-vous in Rio von Matthias Anton & Hans-Günther Kölz entstand für das Akkordeon-Kammermusikheft Lifelines. Nach den drei Projekten 'Footprints', 'Postcards' und 'Landscapes' soll mit Lifelines di...

Rendez-vous in Rio von Matthias Anton & Hans-Günther Kölz entstand für das Akkordeon-Kammermusikheft Lifelines. Nach den drei Projekten 'Footprints', 'Postcards' und 'Landscapes' soll mit Lifelines di...

Rendez-vous in Rio von Matthias Anton & Hans-Günther Kölz entstand für das Akkordeon-Kammermusikheft Lifelines. Nach den drei Projekten 'Footprints', 'Postcards' und 'Landscapes' soll mit Lifelines di...

Three trombones using Dixie' mutes and two bass trombones using 'Bucket' mutes set up a swinging Latin pattern for trombones I & IV to play an opening unison and harmony line for this seven and one-ha...

Loving latin jazz numbers?! Then you will like this superb arrangement by Dave Collins of 'Why Not'. Ideal to showcase some soloists and let your drummer go wild! Michael Camilo is a grammy award winn...

Light samba feel really cooks. Feel alternates between samba & 4/4 funky feel. Solo space for Piano,[Guitar], & 3rd bone. Contrapuntal section will tie you up a bit. Trbn quintet & Rhy section. Parts...

Wer träumt nicht von einem Urlaub zwischen blauen Lagunen und Sandstränden? Am besten noch mit einem Korb tropischer Früchte daneben... Zumindest musikalisch kommt man diesem Traum mit der Ausgabe 'La...

Après la Missa Latina et le Magnificat, le Te Deum est la troisième œuvre d’importance du musicien et compositeur Karl Albrecht « Bobbi » Fischer chez Carus. Fischer puise ses racines musicales dans l...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...