Partitions moyen de Musique de Pentecôte

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate stan...

Une mise en musique joyeuse de Luc 4,18-19 (Jésus prêche à Nazareth ; texte en anglais), particulièrement adaptée pour la Pentecôte, mais aussi pour une utilisation générale pendant l'année liturgique...

Choräle aus Kantaten, aus der Sammlung Choralgesänge und der Motette Jesu, meine Freude BWV 227. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Blockflöte-T - Spielpartitur

Are you looking for a contemporary a cappella motet that touches both heart and soul? With "O Lux Beatissima," published by Hinshaw Music, you can present your audience with an outstanding choral work...

Cette pièce fut composée en 2014 pour le Merton Choirbook, un recueil de musique chorale. Elle fut commandée par le Merton College d'Oxford à l'occasion de ses 750 ans d'existence. Il s'agit de la mis...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

The 'organ plus' one series was conceived primarily with semi-professional church musicians and instrumentalists in mind. Based on the liturgical year, the pieces can be readily performed in church se...

La genèse de la cantate Wer mich liebet, der wird mein Wort halten BWV 59 est quelque peu énigmatique. Les voix conservées attestent d'une exécution le premier jour de la Pentecôte 1724, mais la parti...

d'après la 2e version de Bach

La cantate de Pentecôte Erschallet ihr Lieder a été composée pour la première fête de Pentecôte en 1714 et a été jouée plusieurs fois à Leipzig dans des versions légèrement différentes. Des représenta...

La cantate de Pentecôte "Erwünschtes Freudenlicht" BWV 184 est basée sur une composition de Köthen, vraisemblablement une cantate de félicitations, dont Bach a continué à utiliser les parties instrume...

Dans cette œuvre, on retrouve les modèles salzbourgeois de Mozart en ce qui concerne la musique sacrée. Le contraste entre le solo et le tutti et les courtes sections imitatives font référence à Leopo...

A setting of the most famous passage from the Book of Ruth (Ruth 1:16-17) opens with a gentle polyphonic section for the chorus. The soprano joins the choir for the twice-repeated middle section of th...

This anthem is the final portion of a 'Gloria' taken from one of Lotti's masses, and is a lovely example of his use of imitation. It's scored a cappella, but instruments could easily and effectively d...

Uses: General, Pentecost, Trinity Sunday Scripture: I Samuel 2:2; Psalm 99; Isaiah 6:3 The subject of God's faithfulness and worthiness is surrounded by emotive music, rich with harmonic color and mel...

Uses: General, Pentecost, Trinity Sunday Scripture: I Samuel 2:2; Psalm 99; Isaiah 6:3 The subject of God's faithfulness and worthiness is surrounded by emotive music, rich with harmonic color and mel...

A choice piece for Pentecost

For Pentecost season, this reverent work can be performed with a flute or any other 'C' instrument

A piece for Pentecost by Johann Christian Bechler, edited for the Moravian Music Foundation series by the foundation's director, Dr. Nola Reed Knouse.

Another lovely (and accessible) anthem from Robert Lau. Try it during Pentecost, for Christ the King, Communion, or general use.

A marvelous combination of two hymns, this anthem would be successful for Ascension, Pentecost, or general use.

A fabulous anthem for Pentecost

This festive hymn anthem for mixed voices, congregation, and organ works great on Pentecost, baptism, or general use.

For mixed voices with organ and optional brass quartet, try this creative work on Pentecost or during any time of church renewal.