Partitions moyen de Musique classique

Rossano Galante's composition Cadence Everlasting begins with a solo horn accompanied by sustained strings, setting the tone for this lyrical piece. This work aims to capture humanity's love affair wi...

Two Puccini Arias, arrangé par Chris M. Bernotas, comprend "O Mio Babbino Caro" et "Nessun Dorma", deux des airs les plus aimés du compositeur. Cet arrangement époustouflant pour orchestre complet est...

Tous les orchestres scolaires peuvent découvrir la magie de Leroy Anderson avec cette composition dans sa version originale. Utilisable année après année.

Girolamo Frescobaldi composed this now famous melody in the 1600s . For 300 years, it has appeared on literally thousands of programs for solo instruments as well as almost every conceivable ensemble....

Girolamo Frescobaldi composed this now famous melody in the 1600s . For 300 years, it has appeared on literally thousands of programs for solo instruments as well as almost every conceivable ensemble....

Girolamo Frescobaldi composed this now famous melody in the 1600s . For 300 years, it has appeared on literally thousands of programs for solo instruments as well as almost every conceivable ensemble....

Ce chef-d'œuvre de Sibelius est maintenant transcrit intelligemment pour l'orchestre d'aujourd'hui. Les entrées vitales des cuivres sont préparées pour assurer une attaque sûre. Le soin apporté aux do...

Georges Bizet is probably best known today for his opera Carmen. At its premiere, critics (and the audience) found the work unsatisfactory in both content and approach. However, the opera soon became...

With gentle grace, your orchestra, setting into motion the performance of one of Gustav Holst's most famous themes, quietly introduces this charismatic melody. The legato styling offers a magnificent...

0.0.2.2. - 0.2.3(btb).0. - percussions - cordes

Instrumentation exacte : 2.2.2.2- 4.3.3.1- timbales, percussions, piano - cordes

The music of Grieg is expressed very well in this two-part suite for full orchestra. The melodies are familiar, and Merle Isaac's fine arrangement is an excellent choice for either concert or contest...

La musique de Grieg s'exprime très bien dans cette suite en deux parties pour grand orchestre. Les mélodies sont familières et le bel arrangement de Merle Isaac est un excellent choix pour le concert...

The music of Grieg is expressed very well in this two-part suite for full orchestra. The melodies are familiar, and Merle Isaac's fine arrangement is an excellent choice for either concert or contest...

One of the most exciting of Verdi's works, this ballet scene is a favorite of opera lovers the world over. As arranged by America's premier orchestra arranger, this selection will sparkle on any progr...

One of the most exciting of Verdi's works, this ballet scene is a favorite of opera lovers the world over. As arranged by America's premier orchestra arranger, this selection will sparkle on any progr...

One of the most memorable and beautiful melodies ever written by Tschaikowsky has now been arranged for school groups by Merle Isaac. A medium-advanced work, of course, but well worth the necessary pr...

One of the most memorable and beautiful melodies ever written by Tschaikowsky has now been arranged for school groups by Merle Isaac. A medium-advanced work, of course, but well worth the necessary pr...

One of the most memorable and beautiful melodies ever written by Tschaikowsky has now been arranged for school groups by Merle Isaac. A medium-advanced work, of course, but well worth the necessary pr...

Tiré de l'opéra le plus réussi de Camille Saint-Saëns, cet arrangement puissant et énergique met à l'épreuve toutes les sections, tout en restant à la portée des orchestres de lycée. Une autre sélecti...

Franz Anton Rössler-Rosetti was born in Mimoň, a town in Moravia, in 1746. He was employed in the orchestra of the Duke of Oettingen-Wallerstein, initially as a double bass player and later as directo...

Stimmensatz - Flöte; 2 Oboen I/II; 2 Klarinetten I/II; 2 Fagotte I/II; 2 Hörner I/II; 4 Violinen I; 4 Violinen II; 4 Violoncelli/Kontrabässe

In dem Concerto des auch als Flötist berühmten französischen Komponisten sind klassische Heiterkeit und elegante Virtuosität miteinander verbunden.