Partitions moyen de Musique classique

Hungarian Dance N° 11 for sax choir, score 4 p. and parts. To get an idea of how this transcription sounds, you can listen to the audio sample. The Hungarian Dances are a series of 21 dances lacking o...

Hungarian Dance N° 11 for sax quartet, score 4 p. and parts. To get an idea of how this transcription sounds, you can listen to the audio sample. The Hungarian Dances are a series of 21 dances, lackin...

Arranged by saxophonists Robert Dalpiaz & Jeff Lange and edited by pianist Carl Strommen, all eight pieces in this collection have been carefully edited to ensure a great musical experience for grade...

This well known piece from Offenbach's operetta Orpheus In The Underworld is energetic, exciting and loads of fun to play. In this new setting for grade 4 instrumentalists, the closing section feature...

This grade 4 original is an ideal selection for contest or recital performances. Its expressive, lyrical and faster moving sections explore fluid legato and extended chord arpeggios. The brief cadenza...

Soloists will love this setting of Georges Bizet's fiery prelude from Carmen. Perfect as an encore, it's guaranteed to thrill audiences of all ages everywhere!

Jacques Offenbach's famous theme from Orpheus In The Underworld is presented here in a rollicking version for AATB saxophone quartet. Featuring an exciting series of key changes to encourage playing w...

This Camille Saint-Saens transcription will definitely be a hit with grade 4 quartets. Excellent for concert or contest programming, the energy and delightful contrast makes it a terrific choice for a...

By the end of the first year your flute students will be able to play this easy arrangement of the second movement of Vivaldi's The Four Seasons. The most difficult rhythm is the dotted quarter/eighth...

Beethoven's classic for violin has been beautifully arranged for saxophone and piano. Includes altissimo notes with optional lower alternatives.

In COURT DANCES, Amanda Harberg's musical palette sparkles with her trademark sense of imaginative energy, warmth, and lyricism. The three-movement work is a joyful and soulful celebration, originally...

The work is a ceremonial march that adapts nicely to the saxophone quartet. The melody is first stated by the soprano and alto saxophones, and then it is shared as dialogue between the two saxophones....

B. Bernards ist das Pseudonym von Bernhard Kutsch. Er wurde am 24. Juli 1882 in Berlin geboren. In jungen Jahren ging er nach Moskau und wurde dort am Konservatorium, unter anderem bei dem russischen...

Une pièce amusante et virtuose qui présente les célèbres thèmes de l'opéra 'Carmen' de Bizet, parfois de manière surprenante...

Le concerto (QV 5 : annexe 14) de Johann Joachim Quantz illustre la fine élégance du style galant du milieu du 18e siècle. Quantz, flûtiste virtuose et l'un des plus grands théoriciens de la musique d...

Le concerto (QV 5 : annexe 14) de Johann Joachim Quantz illustre la fine élégance du style galant du milieu du 18e siècle. Quantz, flûtiste virtuose et l'un des plus grands théoriciens de la musique d...

Le concerto (QV 5 : annexe 14) de Johann Joachim Quantz illustre la fine élégance du style galant du milieu du 18e siècle. Quantz, flûtiste virtuose et l'un des plus grands théoriciens de la musique d...

Le concerto (QV 5 : annexe 14) de Johann Joachim Quantz illustre la fine élégance du style galant du milieu du 18e siècle. Quantz, flûtiste virtuose et l'un des plus grands théoriciens de la musique d...

Le concerto (QV 5 : annexe 14) de Johann Joachim Quantz illustre la fine élégance du style galant du milieu du 18e siècle. Quantz, flûtiste virtuose et l'un des plus grands théoriciens de la musique d...

Le concerto (QV 5 : annexe 14) de Johann Joachim Quantz illustre la fine élégance du style galant du milieu du 18e siècle. Quantz, flûtiste virtuose et l'un des plus grands théoriciens de la musique d...

La Sonata No. 1 de Pietro Baldassare reflète le style baroque subtil du début du dix-huitième siècle et allie la clarté formelle à une mélodie expressive. Baldassare, qui a surtout travaillé en Allema...