Partitions moyen de Musique classique (romantisme)

I Masnadieri est un opéra en quatre actes de Giuseppe Verdi sur un livret d'Andrea Maffei, basé sur la pièce de Friedrich von Schiller "Die Räuber". Il a été commandé par le directeur d'opéra londonie...

The best known piece of the young composer George Butterworth is a pastoral setting based on two English folk song melodies (The Banks of Green Willow and Green Bushes), and is similar to the composit...

Composed shortly after his iconic New World Symphony, Dvorak's String Quartet No. 12 (American) reflects the composer's fondness for America, during his tenure in New York and vacation in Iowa. Featur...

Charming! This light and flowing arrangement maintains the rhythmic drive characteristic of Slavic folk music. (4:30)

Charming! This light and flowing arrangement maintains the rhythmic drive characteristic of Slavic folk music. (4:30)

Here is the perfect concert or festival piece for the high school string orchestra that is almost-but not quite-ready for the Dvorak 'Serenade!' With much of the composer's signature use of folk idiom...

Here is the perfect concert or festival piece for the high school string orchestra that is almost-but not quite-ready for the Dvorak 'Serenade!' With much of the composer's signature use of folk idiom...

The best known piece of the young composer George Butterworth is a pastoral setting based on two English folk song melodies (The Banks of Green Willow and Green Bushes), and is similar to the composit...

Composed shortly after his iconic New World Symphony, Dvorak's String Quartet No. 12 (American) reflects the composer's fondness for America, during his tenure in New York and vacation in Iowa. Featur...

Après un rêve Op.7, No.1, composed by Gabriel Fauré with traditional Tuscan words. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Arpège Op.76, No.2, composed by Gabriel Fauré with words by Albert Samain. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with pia...

Clair de lune (Op.46 No.2), composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Danseuse Op.113, No.4, composed by Gabriel Fauré with words by Renée de Brimont. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice wi...

Diane, Séléné Op.118, No.3, composed by Gabriel Fauré with words by Jean de La Ville de Mirmont. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick f...

Exaucement Op.106, No.1, composed by Gabriel Fauré with words by Charles Van Lerberghe. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high v...

La Lune Blanche Op.61, No.3, composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Le Secret Op.23, No.3, composed by Gabriel Fauré wkith words by Armand Silvestre. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice w...

Les Berceaux Op.23, No.1, composed by Gabriel Fauré with words by Sully Prodhomme. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Les Roses d’Ispahan Op.39, No.4, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for hig...

Lydia Op.4, No.2, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with pi...

Mai Op.1, No.2, composed by Gabriel Fauré with words by Victor Hugo. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with piano acc...

Mandoline Op. 58, No. 1, composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice wit...