Partitions moyen de Ballade

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

Surely the ultimate slow rock ballad alto sax feature number - starting dreamily with synth. and woodwind (cued on saxes if doubling not available) with bass guitar then setting the groove allowing th...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...