Partitions moyen chez Schott Musik

gemischter Chor (SATB) und Klavier - Partitur lateinisch

Chorpartitur

My attraction to the two-piano medium goes back to 1962, when I was a freshman at Lawrence College in Wisconsin. Olivier Messiaen and Yvonne Loriod performed his Visions de l’amen there while on an Am...

Frauenchor (SMezA) mit Sopran-Solo und Klavier.

Chorpartitur - italienisch - englisch

gemischter Chor (SATB) mit Klavier; Schlagzeug, Orgel, 2 Klarinetten und Violoncello ad lib.

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violen, 5 Violoncelli/Kontrabässe

Corrette became known mainly by his numerous excellently drafted school works which aroused the admiration of his contemporaries and which are now important sources for the historical performance prac...

Stimmensatz - 2 Flöten I/II, 2 Oboen I/II, 2 Klarinetten in B I/II, 2 Fagotte I/II, 2 Hörner in C I/II, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Bassi

Stimmensatz - Ob I, Ob II, Hn-c I, Hn-c II, 4 V I, 4 V II, 2 Va, 4 Vc/Kb

Streicher-Ergänzungssatz - 2 V I, 2 V II, Va, 2 Vc/Kb

Dance movements of Dowland and from the Fitzwilliam Virginal Book have merged to form a suite that can be used both as concertante work and as theatre music.

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.

This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.