Partitions moyen chez Schott Musik
- 2 Violons, Violoncelle et Basse continue
- Conducteur et parties
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- 2 Violons, Violoncelle et Basse continue
- Conducteur et parties
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- Flûte à bec alto, Violon et Basse continue
- Set de parties
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Partitur = Cembalo/Orgel - Oboe (Violine), Streicher und Basso continuo (Cembalo/Orgel); Violoncello (Viola da gamba) ad lib.
Partitur = Cembalo/Orgel - Oboe (Violine), Streicher und Basso continuo (Cembalo/Orgel); Violoncello (Viola da gamba) ad lib.
- Hautbois, Cordes et Basse continue
- Partition
- Hugo Ruf
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- Flûte traversière, Violon et Basse continue
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This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.
This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.
- 2 Flûtes à bec alto, 2 Hautbois, 2 Violons et Basse continue
- Parties supplémentaires - Cordes
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Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...
Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...
- 3 Hautbois, 2 Violons, Alto et Basse continue
- Partition
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Stimmensatz - 2 Trompeten I/II, 2 Posaunen (Trompete III), 4 Violinen I/II/III, 4 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blech...
Stimmensatz - 2 Trompeten I/II, 2 Posaunen (Trompete III), 4 Violinen I/II/III, 4 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blech...
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Streicher-Ergänzungssatz - 2 Violinen I/II/III, 2 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blechblasinstrumente / B Instrumental...
Streicher-Ergänzungssatz - 2 Violinen I/II/III, 2 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blechblasinstrumente / B Instrumental...
- Ensemble
- Parties supplémentaires - Cordes
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Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...
Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...
- Alto, Guitare et Cordes
- Partition
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Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...
Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...
- Alto, Guitare et Cordes
- Set de parties
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- Flûte traversière, Cordes et Clavecin
- Partition
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Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...
Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...
- Flûte à bec alto, Cordes et Basse continue
- Partition
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Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...
Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...
- Flûte à bec alto, Cordes et Basse continue
- Set de parties
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Padre Martini was musical director in Bologna and a respected teacher of composition with whom studied Johann Christian Bach among others.Martini's compositions, between baroque and rococo as to style...
Padre Martini was musical director in Bologna and a respected teacher of composition with whom studied Johann Christian Bach among others.Martini's compositions, between baroque and rococo as to style...
- Violoncelle, Cordes et Basse continue
- Set de parties
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The repertoire of double concertos for two flutes (Telemann, Cimarosa) is enlarged by this interesting and original concerto.
The repertoire of double concertos for two flutes (Telemann, Cimarosa) is enlarged by this interesting and original concerto.
- 2 Flûtes traversières, Cordes et Basse continue
- Partition
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This work consists of four short parts of varying character; the string part is very lively despite its simplicity and is given effective highlights by the solo trumpet.
This work consists of four short parts of varying character; the string part is very lively despite its simplicity and is given effective highlights by the solo trumpet.
- Trompette, Cordes et Basse continue
- Partition
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- Violon, Cordes et Basse continue
- Partition
- Helmut W. May
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A popular piece for Christmas concerts in schools or churches.
A popular piece for Christmas concerts in schools or churches.
- 2 Violons, Violoncelle, Cordes et Clavecin
- Set de parties
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- Cordes et Vent
- Partition
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- Alto, Cordes, 2 Hautbois et 2 Cors en do
- Partition
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Dance movements of Dowland and from the Fitzwilliam Virginal Book have merged to form a suite that can be used both as concertante work and as theatre music.
Dance movements of Dowland and from the Fitzwilliam Virginal Book have merged to form a suite that can be used both as concertante work and as theatre music.
- Cordes, Bois et Clavecin
- Partition
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Presented in a variety of styles, these short pieces gieve each player an equal share of the melodic interest and are aimed at students of similar playing experience and standarts. The minimum of teac...
Presented in a variety of styles, these short pieces gieve each player an equal share of the melodic interest and are aimed at students of similar playing experience and standarts. The minimum of teac...
- 2 Violons, Alto et Piano
- Conducteur et parties
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Créée pendant la Première Guerre mondiale, la composition de Maurice Ravel "Le Tombeau de Couperin" jette un regard nostalgique sur le passé tout en étant remplie à ras bord de traces de musique moder...
Créée pendant la Première Guerre mondiale, la composition de Maurice Ravel "Le Tombeau de Couperin" jette un regard nostalgique sur le passé tout en étant remplie à ras bord de traces de musique moder...
- Violon, Violoncelle et Piano
- Conducteur et set de parties
- Matt van Brink
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Giuseppe Verdi's opera 'La Traviata' (The Wayward Woman), based on Alexandre Dumas' novel 'La Dame aux camélias', has become one of the most successful opera in music history for Verdi broke new groun...
Giuseppe Verdi's opera 'La Traviata' (The Wayward Woman), based on Alexandre Dumas' novel 'La Dame aux camélias', has become one of the most successful opera in music history for Verdi broke new groun...
- Flûte traversière, Alto et Guitare
- Conducteur et parties
- Siegfried Schwab
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