Partitions moyen chez Oxford University Press

> 14 irresistible new pieces > Suitable for young pianists at intermediate level (approx. Grades 4-5) > Range of styles and moods, including jazz styles, new takes on Baroque and Classical, and beauti...

Commissioned by the 2015 Three Choirs Festival, this is Chilcott's second setting of the Evening Canticles. Bright and rhythmical, the 'Magnificat' features syncopated chords in the organ part that pu...

A work on the subject of pilgrimages to Santiago de Compostela, 'To the Field of Stars' features a variety of texts on the nature of travel and worship. Underpinned by evocative cello and percussion l...

A Prayer of St Columba is an expressive and emotive anthem with appealing, arching melodies underpinned by a sparkling organ part. Also available in a version for SAB and organ or piano in The Oxford...

Il s'agit d'une mise en musique lyrique et tonale de la messe en latin, composée pour commémorer le 900e anniversaire de l'église du prieuré de Saint-Barthélemy-le-Grand. L'œuvre, écrite pour SATB, or...

Transcriptions for pianoforte from the works of J. S. Bach - Reissue of an iconic OUP publication from 1932 - Twelve Bach transcriptions prepred for the acclaimed English pianist Harriet Cohen - Cont...

Écrite pour le California Junior High All-State Honor Choir, cette pièce présente un texte motivant du compositeur sur le thème de l'acceptation de nouvelles opportunités et, en utilisant la métaphore...

Voice & piano/guitar This volume contains newly edited versions of all Walton's songs for voice and piano, together with Anon in Love for voice and guitar and songs from radio plays. It also includes...

For SSA (plus lead voice) and percussion Following the success of Songs of Africa (for mixed voices), Fred Onovwerosuoke presents six authentic arrangements of African songs scored for upper voices an...

Setting a text by Charles Bennett, 'The White Field' presents a dreamlike scene in which blackbirds plant songs in the cold earth and await the growth of their music. Chilcott's melodies echo through...

Euvre en trois mouvements, avec un solo de soprano dans le deuxième mouvement Explore les thèmes du chagrin, de la perte et de l'espoir d'un avenir meilleur Textes de Sarojini Naidu et Seán Street Ré...

Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons. With...

Commissioned by Ralph Woodward and the Fairhaven Singers in memory of Dora Kemp, one of the choir's sopranos, God is Light sets lines from Psalm 139, 1 Thessalonians, and 1 John. It moves from an unse...

This sophisticated, jubilant setting of a macaronic text by Kevin Crossley-Holland begins with an emphatic opening refrain before setting off on a sprightly dance through fluctuating 2/2 and 7/8 time...

A setting of Shakespeare's much-loved Sonnet 18, Bednall's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various ch...

Cecilia, Busy Like a Bee is a reflective setting of a text adapted from the Divine Office for St Cecilia's Day. The influence of plainchant is particularly apparent in the soprano solo, and McDowall i...

La-bas, dans cette plaine' is a gentle, lilting a cappella arrangement of one of the famous folksongs from the Haute-Auvergne region of France.

This lively and joyous arrangement of the folksong 'Montagnarde' from the Haute-Auvergne region of France makes playful use of the call of the cuckoo in a catchy refrain. 'Montagnarde' is featured on...

Chilcott's arrangement of 'Viens par le pre', a folksong from the Haute-Auvergne region of France that presents a heartfelt expression of love, is tender and expressive, with rich, warm harmonies. 'Vi...

This setting of Orlando Gibbons and Catullus is a re-working of Gibbons's celebrated 17th-century madrigal (of the same title) for five voices. It retains the lilting depiction of the swan and the ori...

Victimae paschali laudes is an atmospheric arrangement of the traditional plainsong melody for this Latin text for Easter Sunday. Changing metres enable an authentic presentation of the plainsong styl...

Lightly come or lightly go is a playful setting of James Joyce's poem of the same name for SATB double choir. The second choir carries the titular words as an arching ostinato, while choir one present...

This lavish arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a...

Written to commemorate the centenary of the foundation of the International Federation of the Red Cross and Red Crescent Societies, Brightest Star sets a powerful text by Seán Street. The poem describ...

This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousi...