Partitions moyen chez Novello Publishing

Written for unaccompanied SAATTB choir, with a piano reduction for rehearsal purposes. First performed by the Choir of Westminster Abbey, directed by James O'Donnell, at a service in Westminster Abbey...

Eight-part chorus (SATB/SATB). This Latin setting of the Nunc Dimittis for eight-part chorus was commission by Southern Cathedrals Festival as a counterpart to Charles Villiers Stanford's 1918 Magnifi...

Written for unaccompanied SATB choir.

Written for unaccompanied TTBB choir. Words written by Phoebe Cary. Opus 55, No. 2

Written for unaccompanied TTBB choir. Text from an anonymous Greek anthology. Op 45, No. 2.

This is the indispensable guide to learning how to sight-read choral music. Using special interactive technology, renowned choral educators Ralph Allwood and Timothy Teague take the user from the very...

Shortly before his death, Giovanni Pergolesi moved to the Franciscan monastery in Pozzuoli, where he composed his last works. Among these is his Stabat Mater which reveals the infusion, into church co...

Dream-Songs is a short cycle of settings of Walter De La Mere, suitable for solo voice but ideal also for children's voices to sing in unison. Bennett's atmospheric music provides an imaginative foil...

This work was composed for the Young People's Chorus Of New York, and based upon an anonymous 18th Scottish ballad, Sweet William's Ghost. The work was first performed by the Young People's Chorus Of...

The first complete volume of Henry Purcell's Catches to appear in Purcell Society Edition since 1922. The new edition lays particular emphasis on accuracy and performance and includes a comprehensive...

A beautifully-presented, cloth-bound full score of Purcell's Catches. This new edition lays particular emphasis on accuracy and performance, and includes a comprehensive commentary. Paperback edition...

The popular and lively traditional air, arranged for Unison voices, with descant and Piano accompaniment by Thomas Dunhill.

For Unison Voices and Piano accompaniment. Text: Marion May.

For Unison Voices and Piano accompaniment. Music adapted from an old English melody by Thomas Dunhill. Text: Rose Fyleman.

Mendelssohn's I Waited For The Lord (The Hymn Of Praise) arranged for two high voices in the Key of D. Although it is often performed as a seperate work, The Hymn Of Praise was originally written as p...

Humorous part-song for SS (or SA) chorus, with words written by F. E. Weatherley and music composed by Sir Frederick Bridge. Includes piano accompaniment for rehearsal purposes.

From the cantata King Olaf, with words by Longfellow. Adapted for two-part choir from the composer's SSA arrangement.

A celebratory song herlding the approaching summer, based upon a text by S. Longfellow and written for the upper voices with Piano accompaniment.

Adapted from an old Fench song by Robert Elkin, using words by Georgina Tanner. For unison voices and piano accompaniment.

Written for unison with piano accompaniment. The words, by Marjorie Kirtley, are from Twelve Happy Months. Eric Harding Thiman, the organist and composer, died in London on February 13 1975; he was 74...

The words of Psalm 130 paraphrased by David Walser.

Carol set to 15th Century anonymous text. Most effictively sung by Sopranos only, although other parts can be incorporated.

Thou Must Leave Thy Lowly Dwelling, the Chorus from The Childhood Of Christ arranged as a two-part song for soprano and alto voices by H. A. Chambers with words by Paul England.

A Unison part (with some divisions into two parts) for Unison voices in the key of B Flat, arranged for use with the original edition for Choir and Organ by C. S. Lang.