Partitions moyen chez G. Schirmer

An arrangement of this traditional American folksong for SSA voices, arranged by Margaret Vance.

Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction. This work was commissioned by L. Anthony Fisher for the New York ChoralSociety,...

Includes madrigals by Palestrina, Thomas Morley, Victoria and Monteverdi. Original language and English translation both provided.

This Shaker song by Edwin Ferguson, arranged by Dick Averre, should be sung 'with slowly mounting intensity and fervour'. The Piano accompaniment is a key part of the song's building rhythm.

Mozart's classic Ave Verum Corpus, which has been called 'the most perfectly structured composition in the Western canon', arranged by Dick Averre for SAB voice and Organ. Essential repertoire for cho...

Arranged for SAB Choir and Piano by Dick Averre. Text: James Agee

A fabulous arrangement of Duke Ellington's classic Come Sunday for SATB Choir with Piano accompaniment, as arranged by Alice Parker.

I Wonder As I Wander by John Jacob Niles, arranged by Keith Christopher for SATB chorus with Piano accompaniment and optional Flute. This Christian folk hymn was inspired by a songheardby Niles at a...

I Wonder As I Wander by John Jacob Niles, arranged by Keith Christopher for SAB chorus with Piano accompaniment and optional Flute. This Christian folk hymn was inspired by a songheardby Niles at a f...

This collection is part of a 5-book set of musical settings of lyrics to songs in Shakespeare's plays. This grouping opens with a melancholy prelude I Shall No More to Sea, followed by the woozy Come...

A catchy song for SATB choir on the theme of love. Ideal for teenage/school choirs. Also available for Upper Voices (catalogue no: GS88946)

Jon Washburn musically draws special, deep emotions to color this evocative text by Walter de la Mare. The mood is created through the use of a glistening piano part and a brooding choral part. Vocal...

This beautiful Sara Teasdale poem presents, initially, a comforting vision of the natural beauty of a world returning to equilibrium until we realize that it can only happen after humans are removed f...

Written for the Paideia Women's Chorus from the Paideia School in Atlanta, Craig Hella Johnson sets the words of the poet-mystic Dorothy Walters. With four movements incorporating a variety of musical...

Most of us think that going viral is a 21st century phenomenon, made possible by the immediacy and ubiquity of the Internet. But Tenting on the Old Camp Ground, Walter Kittredge's haunting Civil War s...

The simple beauty of a sunrise, a summer breeze, or evening stars can evoke memories of a loved one. Oh, Think of Me was inspired by a poem by Frances Anne Kemble to honor the life of a young man who...

The wonderful How Lovely Are The Messengers, taken from the Oratorio St. Paul. Arranged here for Soprano, Mezzo Soprano and Alto Voices with Piano accompaniment by Max Spicker.

This arrangement of the Appalachian Carol by John Jacob Niles and Gwynn S. Bement was comissioned for the Elmira College Glee Club and is for a Soprano soloist and Upper Voices (SSA). A piano reductio...

Version for Medium Voice and Upper Voices.

Version for Mixed Chorus (SAB) and Organ. Anthem for Palm Sunday.

A Choral Scherzo on a well-known tune for Full Chorus of Women's Voices (SSA).

Handel's famous Hallelujah Chorus from his Oratorio the Messiah, arranged for SAB choir and Piano accompaniment by Carl Deis.

For Three-Part Chorus of Women's Voices (SSA) with Organ or Piano Accompaniment. Edited from the autograph score by Reinhard G. Pauly with a choice of Latin or English text.

W. A. Mozart's Lacrymosa (Day of Sadness), from Requiem K. 626, for SATB Choir with Piano accompaniment, and English words by William Josiah Irons.

A beautifully graceful and moving song taken from the Opera Andrea Chenier and arranged especially by Emile Serposs for SSA Chorus with Piano Accompaniment.