Partitions moyen chez G. Schirmer

Contents: Reinecke: 2 Sonatinas, Op. 136 (Nos. 1 and 2) - Spindler: Sonatina, Op. 157, No. 4 - Lichner: Sonatina, Op. 49, No. 1 - Gurlitt: Sonatina, Op. 54, No. 4 - Kuhlau: Sonatina, Op. 88, No. 1 - C...

Contents: Lichner: Op. 266, No. 1 in C - Reinecke: Op. 47, No. 1 in C - Spindler: Op. 157, No. 8 in E minor - Clementi: Op. 36, No. 6 in D - Kuhlau: Op. 20, No. 2 in G - Dussek: Op. 20, No. 3 in F.

Franz Liszt's Mephisto Waltz has been skilfully arranged from the orchestral score for solo Piano by Ferrucio Busoni.

Two Pianos, Four Hands. 2 Copies needed to perform.

Two Pianos, Four Hands. 2 Copies needed to perform.

Two Pianos, Four Hands. 2 Copies needed to perform.

Claude Debussy's Petite Suite transcribed for solo Piano by Joseph Prostakoff.

Robert Schumann's nine Forest Pieces which have been edited by Clara Schumann.

Contents: Poetic Tone Picture, Op. 3, No. 4 - Poetic Tone Picture, Op. 4, No. 5 - Humoreske, Op. 6, No. 2 - Humoreske, Op. 6, No. 3 - Norwegian Bridal Procession, Op. 19, No. 2 - 4 Album-leaves, Op. 2...

Largo' from the opera Xerxes, revised by Carl Deis and transcribed by A. R. Parsons for piano.

A truly fabulous showpiece for Piano Solo by Marie-Auguste Durand. This is a dynamic and impressive encore for every advancing pianist. The figurations, positions and flourishes are kind on the hand...

Marche funebre d'un Marionnette for Piano solo.

Revised and fingered with exact pedal signs by AR Parsons. Includes arrangement for left hand solo.

Fingered and phrased by Ludwig Klee.

Work for piano solo. Edited by Ludwig Klee.

Kuhlau's lively and spirited Sonatina from Opus 55, No. 3 which has been fingered and phrased by Ludwig Klee. For Piano Solo.

A spirited piece, composed in 1797 for Piano Solo.

Composed in 1797, Sonatina In C Major is a spirited and lively piece to play.

Here is the original and unedited score composed by Muzio Clementi (1752-1832).

From Two Easy Sonatas Opus 49.

Written between 1804-1805, the 'Appassionata' was part of what has become known as Beethoven's 'second' period of creativity. His music became more volatile and Beethoven had turned 'inward', producin...