Partitions moyen chez Flex Editions

Bb Clarinet, Piano This waltz reminds us of diatonic accordion and will make listeners dance (and maybe the panel)! Its interpretation requires lightness and personality

Bb Clarinet, Piano Pièce in Iberian vein, made of a rubato recitative and a moment for virtuosity

3 Bb Clarinets, 1 Bass Clarinet

3 Bb Clarinets, 1 Bass Clarinet

3 Bb Clarinets, 1 Bass Clarinet When one starts learning music, rhythmn can become rapidely a showstopper. This quartet demonstrates that once the arcane secrets of rhythm are understood, music become...

3 Bb Clarinets, 1 Bass Clarinet As the light whose reflection in the water is sometimes broken by the waves, I used ascending and descending movement in the melody. The pervasive use of syncopation al...

3 Bb Clarinets, 1 Bass Clarinet A romantic composition dedicated to my Director Jacques Andrieu and to his wife Danièle (pianist). The seventh intervals (range rarely used), major, minor or diminished...

Bb Clarinet, Piano What else can be better than a Samba to tackle the Syncopation with fun! In the second part, the player will have to articulate the syncopation to become a credible Samba player! on...

4 Bb Clarinets

3 Clarinets

4 Bb Clarinets

3 Clarinets

A must-have for Clarinet. This Andante is the 2nd movement of the Sonata in E flat Major composed by Mendelssohn in 1824 at the age of 15. It is very beautiful dialogue between Clarinet and Piano whic...

A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments (oboe, clarinet and bassoon) composed in May and june 1921. They are the last in the catalogue...

Oboe, Piano

Oboe, Piano

Oboe, Piano

Oboe, Piano

Oboe, Piano

Oboe, Piano A small reverie, but a little risky

4 Trombones, 1 Bass Trombone, Drums

Trombone, Piano In a Cotton Club mood. The chassé-croisé of quarter notes and eight notes triplets together with Piano incite to dance and remind us of cabarets' ambiance of the 1920s. This piece, cou...

Trombone, Piano As the light whose reflection in the water is sometimes broken by the waves, I used ascending and descending movement in the melody. The pervasive use of syncopation also enabled me to...