Partitions moyen chez ECS Publishing

Be/dazzled, concertino for Electric Violin and Chamber Orchestra, draws its inspiration from the first line of a text that is a paraphrase of the second Logion (sayings attributed to Christ) from the...

Cloud Scraper was composed for the Shreveport Symphony (Louisiana), Michael Butterman, Conductor. Duration: 7:30 Instrumentation: 2[1. 2/pic] 2 2 2 - 4 3 2 1 - T+ 4 - hp - str

Commissioned for Choral Arts Northwest who gave its premiere performance in 2011 under their artistic director, Robert Bode. The music is primarily contrapuntal in texture, and its tonal language feat...

Due South is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone; the...

Arise is the short opening of this suite of five pieces, and is set to glorious homophonic music with rising motives in the lower voices.

What's Cookin'? takes its sweet time tantalizing the listener with all the menu items of a truly Southern feast. Music, set to a slow tempo in swing eighths, makes the recitation tempting, if not down...

Bugs is a soundscape of insects and their songs. Precise vocal effects make this challenging but also whimsical, and the result is pure fun.

Love, O Love recalls an old-fashioned love letter in which the writer compares the beloved to the moon and the sun and pledges eternal love. The music begins with lush chords sung together, moves to a...

A perfectly apt finale to this choral suite, Kentucky Derby begins with a nod to 'My Old Kentucky Home, ' and then it's off to the races, literally. The text of the suite is declaimed rapidly in patte...

Engraved and edited after the composer's death, this charming piece deserves wider attention in the choral world. The music features unmeasured chant-like passages contrasted with moving accompanied o...

This text is part of a longer work by Mohja Kahf titled My People Are Rising: An unfinished poem begun in Spring 2011 for an unfinished Revolution begun in March 2011. It speaks so viscerally of the t...