Partitions moyen chez Baton Music

Felix Mendelssohn (1809-1847) a composé deux concertos - Konzertstücke - opus 113 et 114 pour clarinette, cor de basset et orchestre. Ces œuvres ont été dédiées avec beaucoup de respect aux clarinetti...

Felix Mendelssohn (1809-1847) composed two concertpieces - Konzertstücke - opus 113 and 114 for clarinet, bassethorn and orchestra. These works were dedicated with much respect to the clarinettists Ba...

Felix Mendelssohn (1809-1847) a composé deux concertos - Konzertstücke - opus 113 et 114 pour clarinette, cor de basset et orchestre. Ces œuvres ont été dédiées avec beaucoup de respect aux clarinetti...

George Gershwin's Opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...

L'opéra Porgy and Bess de George Gershwin contient de nombreuses chansons qui sont devenues populaires en elles-mêmes, devenant des standards du jazz et du blues en plus de leur version originale à l'...

George Gershwin's Opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...

L'opéra Porgy and Bess de George Gershwin contient de nombreuses chansons qui sont devenues populaires en elles-mêmes, devenant des standards du jazz et du blues en plus de leur version originale à l'...

Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)

Li¨ chante son aria Tu che di gel sei cinta vers la fin de l'opéra Turandot de Puccini. Elle dit à Turandot que même elle apprendra ce qu'est l'amour. (Soprano et orchestre)

Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)

Li¨ chante son air Tu che di gel sei cinta vers la fin de l'opéra Turandot de Puccini. Elle dit à Turandot que même elle apprendra ce qu'est l'amour. (Soprano et orchestre)

The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...

Le Concerto pour basson en si bémol, KV 191, est le plus ancien concerto pour instruments à vent de Wolfgang Amadeus Mozart qui nous soit parvenu. Il semble peu aventureux et conventionnel, mais il ne...

The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...

Le Concerto pour basson en si bémol, KV 191, est le plus ancien concerto pour instruments à vent de Wolfgang Amadeus Mozart qui nous soit parvenu. Il semble peu aventureux et conventionnel, mais il ne...

When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...

When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...

This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...

This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...

Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...

Le Credo de Jago, dans l'opéra Otello de Giuseppe Verdi, est chanté au début du deuxième acte : une expression venimeuse du mal et, pour ainsi dire, d'une croyance négative. Il chante son credo : "Je...

Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...

Le Credo de Jago, dans l'opéra Otello de Giuseppe Verdi, est chanté au début du deuxième acte : une expression venimeuse du mal et, pour ainsi dire, d'une croyance négative. Il chante son credo : "Je...

Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. The other masters of 'beautiful sing...

Vincenzo Bellini (1801-1835) est l'un des trois grands compositeurs de l'ère belcantiste qui a dominé la scène lyrique italienne dans la première moitié du XIXe siècle. Les autres maîtres du "beau cha...