Partitions jazz

Laufey apporte sa touche vintage caractéristique à la période des fêtes avec cette chanson originale envoûtante. Rappelant les grands classiques de Noël, ce morceau chaleureux fait naître l’esprit des...

Few songs ever become hits as this one did for Louis Armstrong. He defined a style of music all his own and yet influenced every style existing to this day. Russ Robinson has done an incredible job of...

Systematisch aufgebaute Sing-, Summ- und Klingbeispiele für die Arbeit mit Jugend-, Laien- und fortgeschrittenen Chören zum Aktivieren und Einstimmen, Aufbauen und Ausweiten, Verfeinern und Kultiviere...

Two of Irving Berlin's most lively songs are married perfectly here in this fun swing, perfect for mixed voices of many ages as well as men's choirs and ensembles. What fun to add simple choreography...

Leon René was an American composer of color who, along with his brother, established several record labels in their lifetimes. In 1947, René wrote this jazzy and festive little number, which later bec...

Instrumental accompaniment parts for Quiet Nights Of Quiet Stars (Corcovado) (arr. Kirby Shaw)

Icelandic singer-songwriter Laufey penned this dreamy, jazz-infused ballad, complete with playful bossa nova rhythms and melancholic lyricism. Warmly relatable and easily sung, this arrangement is bri...

This swingin' pop standard starts quietly with unison vocals and a walking bass line, then builds to a sensational finish!

Un arrangement funk rock du classique de Freddie Hubbard pour 4 cors et la section rythmique. Solos ouverts pour toutes les parties.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.