Partitions facile pour Chœur

A lovely, lilting piece for unison children's choir or solo voice

This is a spritely piece to spotlight your children's choir! It is not difficult, and rehearsal will be fun! The congregation will probably be singing it on their way home.

Robert Louis Stevenson's poem (also known as 'Where Go The Boats?') for 2-part children's choir is fairly easy, but does contain a more complex sound, it is a good concert piece. In a pinch, the choir...

From the Accent On Youth Series . A prayer for all children for solo or unison voices (congregation optional) with viola or violin, alto recorder or flute, hand drum, finger cymbals, hanging cymbal, k...

A light, playful love song that has a magical quality that stays with singers and audience alike (2-part). Also available in: SATB (HMC997), SAB (HMC1047), and TBB (HMC1853)

One of two Emily Dickenson poems arranged for secondary chorus. The other is: The Moon Was But A Chin Of Gold (HMC1779)

One of two Emily Dickinson poems arranged for secondary chorus. The other is The Bee (HMC1778)

Another fine arrangement from the pen of Michael Braz, this lovely Korean folk song works well with any combination of two voices.

The first collaboration by composers Valerie Showers Crescenz and James E. Green, this dynamic duo gives us a fine secular work for treble voices, very accessible.

Valerie Showers Crescenz takes her compassion for the lost children of Romania and turns out this gripping lyrical work, works for treble voices of all ages.

Tom Shelton provides us with this multicultural inspirational secular work for treble voices and piano. The English/Spanish combination works for graduation or an emphasis on world peace.

For unison voices, try this lovely setting with piano and violin (or flute) during Lent. It would even work with treble adult and children's voices together.

Written for treble voices (particularly successful with women's choir or children's choir) with keyboard and violin (or flute), this piece will be a winner at Thanksgiving, it also works for general u...

From the Accent On Youth series. This is a bright, fun piece for high school or adult choir. Suitable for secular or sacred settings: it is not liturgical, but the message is a good one.

Middle school specialist Tom Shelton wrote the words and music to this work for use in celebrating the opening of a new church facility. Scored for treble voices with keyboard and handbells, the piece...

Written for two-part treble voices, this setting of words by Lord Byron would work successfully for treble voices of all ages. Tom Shelton, a successful middle school teacher, understands quite well t...

For unison voices with keyboard and optional orff instruments, a real winner for children's voices!

Ryan D. Neaveill returns to the Hinshaw catalog with a festive work for 2-part mixed voices, keyboard, and optional cello and violin. Sung in either Latin or to an English adaptation, the piece could...

With both sacred and secular texts available to choose from, this treble work speaks of the joys of being alive with emphasis on the beauty of nature. The author, an unknown child in a Czechoslovakian...

Middle school teacher and composer Tom Shelton has scored this liturgical text for unison voices with piano and oboe (or flute or violin). It is a great work to introduce your children to the principl...

This unison (opt. harmony) work for treble voices was written in response to the tragedy of September 11. Healing in nature, the composer states: 'I wanted a tuneful, patriotic, American sounding melo...

The creative team of Green and Crescenz bring us another thought provoking work. Though originally in a SAB setting (HMC1885), this 2-part treble work once again calls our attention to the 'forest as...

Composer Tom Shelton, a middle school choral teacher, truly understands the young voice. Try this two-part treble work that expresses the fact that 'music is the language all people share. '

The creative genius of Mark Hayes makes this work now available for smaller choirs with a two-part mixed setting of this favorite. Also available for SAB (HMC1893) or SATB (HMC1576) voicing

Originally set for SATB voices (HMC1696), Jim Williams now makes the piece available in a lovely two-part mixed voicing, suitable for stewardship Sunday.