Partitions facile pour Big Band

Everyone will be singing the familiar descending chromatic line of this classic tune after the concert! This is the perfect "fun" chart for a home show and it swings like crazy!

Everyone will be singing the familiar descending chromatic line of this classic tune after the concert! This is the perfect "fun" chart for a home show and it swings like crazy!

Here's a great, lazy swing tune from Terry White. This is a perfect chart to work on slow swing rhythmic fundamentals with the ensemble and it has enough harmonic twists to keep everyone engaged. Defi...

Here's a great, lazy swing tune from Terry White. This is a perfect chart to work on slow swing rhythmic fundamentals with the ensemble and it has enough harmonic twists to keep everyone engaged. Defi...

Teaching opportunities abound in this straight-ahead swing chart at the very easy level. Solid swing figures, blues based changes and plenty of full ensemble work all combine to create a piece that ev...

In the style of the great Count Basie, this chart is full of terrific teaching opportunities. Simple but effective ensemble writing, blues-based changes, and a swinging groove make it a winner. Writte...

Since its inception, the Jazz Foundations Series has provided great music that can be played with virtually any combination of 4 horns and rhythm up to a full big band. Featuring great ensemble work a...

This very easy swing original serves as the perfect introduction for developing jazz players to the all-important blues form since the melody features just five notes! Using those same notes as the ba...

Many of the famous Count Basie charts were built on riffs, or short melodic ideas that were repeated several times over the blues progression. This swing original at the very easy level is the perfect...

We welcome Ryan Erik Adamsons to the Kendor family of writers with this swing original based on the chord changes to Autumn Leaves. Written for beginning groups, the solo section is written out with s...

This swing original for beginning groups based on the chord changes to There Will Never Be Another You by Warren and Gordon. Brass ranges are very accessible with trumpet up to F5 and F4 for trombone....

Based on the chord changes to It Don't Mean A Thing by Duke Ellington, this chart is the perfect chart to introduce beginning jazz groups to the swing style. The solo section is playable by any instru...

Enfin un excellent ensemble d'échauffements pour votre ensemble de jazz débutant. Chris Sharp s'appuie sur son expérience de directeur de jazz dans une école publique et d'arrangeur professionnel pour...

Cet ensemble unique de 17 pièces d’échauffement pour le jeune Jazz Ensemble couvre les éléments rythmiques et harmoniques essentiels que l’on retrouve dans deux styles de jazz : la « huitième note mêm...

Cet ensemble unique de 17 pièces d’échauffement pour le jeune Jazz Ensemble couvre les éléments rythmiques et harmoniques essentiels que l’on retrouve dans deux styles de jazz : la « huitième note mêm...

Zo dir oder zo mir? Das ist hier die Frage. Einen schönen Schunkelwalzer haben die Höhner an den Start gebracht.

This driving jazz waltz is played around 158 BPM with a haunting melody that stays with you. Includes a written tenor sax solo, fine ensemble writing, lyrical lines throughout all the while accessible...

Greensleeves' arranged by Victor López is an easy-to-play holiday jazz waltz with everything written out including a brief alto sax solo. The tempo is around 150 BPM, the brass ranges are very accessi...

La mélodie anglaise bien connue trouve une nouvelle vie dans cet arrangement qui alterne entre bossa nova et swing. Il peut être utilisé à tout moment de l'année et convient également à votre concert...

Une première introduction attrayante à l'art du jazz improvisé. Des stratégies simples sont fournies pour que les jeunes musiciens réussissent à apprendre à jouer du blues, du swing, de la musique lat...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

One of the signature tunes of the Cannonball Adderley Quintet, composed by Nat Adderley, this well-known jazz standard remains as popular today as when it first came out in 1960. Arranged here in a so...