Partitions facile de Swing

A swinger on a great jazz standard. Played around 160 BPM, this chart is packed with solis for all sections, especially saxes. Lead trumpet range is to written G on top of the staff. Then, add suggest...

Stompin' at the Savoy arranged by Mike Kamuf is a great jazz standard played around 156 BPM. This swinger is superbly arranged to feature five soloists; trombone 1, trumpet 2, tenor 1, alto 1, and dru...

Voici un swing facile en si, écrit pour mettre en valeur chaque section. Tous les solos sont écrits et les changements sont également fournis. L'écriture de la section rythmique est complète et sera f...

Voici un swing facile en si, écrit pour mettre en valeur chaque section. Tous les solos sont écrits et les changements sont également fournis. L'écriture de la section rythmique est complète et sera f...

Rob Vuono est bien connu pour écrire des morceaux classiques pour big band avec un gros son, sans grandes exigences techniques. Celui-ci ne fait pas exception - un swing direct sans solos, juste une f...

Rob Vuono est bien connu pour écrire des morceaux classiques pour big band avec un gros son, sans grandes exigences techniques. Celui-ci ne fait pas exception - un swing direct sans solos, juste une f...

Rob Vuono est bien connu pour écrire des morceaux classiques pour big band avec un gros son, sans grandes exigences techniques. Celui-ci ne fait pas exception - un swing direct sans solos, juste une f...

Transcrit à partir de l'album Liberty Records de 1961 de Julie London "Whatever Julie Wants", ce morceau de swing sulfureux conviendra à tous les chanteurs qui ont un style vocal décontracté. Les paro...

Transcrit à partir de l'album Cole Porter Songbook d'Ella, ce programme ne concerne que le chanteur, la section rythmique et le trombone. Les saxophones et les trompettes ne participent pas à ce morce...

The great all time standard, arranged by Cy Payne and based on the 1949 recording by Marilyn Monroe from the film 'Some Like It Hot'. This full band chart is at medium easy level - just right for scho...

This happy Shuffle/Swing is the least difficult in the series. Solos are played over F7 & Eb7 so almost anyone can try improvising on this one. It's simple, but it Swings! 8 brass, 5 saxes, 4 rhythm,...

This chart was written when Thad lived in Denmark and was named after jazz organist Rhoda Scott. This writing is typical Thad that was a favorite of the Mel Lewis Orchestra and it is still played by t...

As recorded by the Count Basie Orchestra on their album This Time By Basie, Quincy Jones has arranged another laid-back, swinging masterpiece. This is a wonderful, classic big band chart that belongs...

Much like Neil Hefti's Li'l Darlin', this Billy Byers original exemplifies quiet, warm ensemble writing at its finest. There is also the contrast of a strong shout section before returning to the quie...

As recorded by the Count Basie Orchestra on the album Frankly Basie; Count Basie Plays the Hits of Frank Sinatra, this arrangement by Billy Byers is a fantastic medium-slow swing tune. It is classic B...

As recorded by the Count Basie Orchestra on the album Frankly Basie; Count Basie Plays the Hits of Frank Sinatra, this is a classic arrangement by Billy Byers. Byers, much like Quincy Jones, provided...

In the Basie Tradition....a wonderful, melodic, sensitive, swing ballad a la Li'l Darlin'. Move over, Mr. Hefti! Here is a brand new addition to the genre of charts which has become so popular over th...

Bring the infectious groove of authentic swing to your ensemble! With the exciting double edition "Cat Walk / Sugar Stomp", composer Luigi di Ghisallo presents two captivating pieces published by Musi...

Ferruccio Francia, fils de Fernando Francia, consacre son énergie, de temps à autre, à des compositions pour orchestre. Ce charmant swing est publié en format carte.

Recorded on CD TRL130604

Recorded on CD TRL130602

Recorded on CD TRL130603

Just for fun - and swing technique! This jazzy swing arrangement will teach important skills with a well-known tune as young players expand the realm of string playing with alternative styles. (2:45)