Partitions facile de Musique sacrée et d'église

Arrangement pour chœur féminin ou chœur d’enfants a cappella. Les symboles d’accords notés offrent la possibilité d’interprétations créatives alternatives.

Arrangement pour chœur féminin ou chœur d’enfants a cappella. Les symboles d’accords notés offrent la possibilité d’interprétations créatives alternatives.

Le nom SAM-Klang reprend la premie're lettre des parties vocales en anglais - soprano, alto et men ('hommes') - et combine cet acronyme avec le mot «Klang', signifiant «son' en danois et allemands, po...

Le nom SAM-Klang reprend la premie're lettre des parties vocales en anglais - soprano, alto et men ('hommes') - et combine cet acronyme avec le mot «Klang', signifiant «son' en danois et allemands, po...

Latin and English texts. Available: SATB a cappella.

A Virgin Unspotted by William Billings, arranged by Richard C. Pisano for SATB choir a cappella.

Lamentation Over Boston by William Billings, arranged by Richard C. Pisano for SATB choir.

A warm and lovely setting of this favorite tune. Opening with a solo or unison women, this arrangement then transitions into beautiful harmony with much opportunity for musical expression. A beautiful...

This edition of the famous Mendelssohn chorus from Elijah is designed for a younger or less experienced choir that wants to go to contest! Available for 3-Part Mixed and SSAB. VoiceTrax CD also availa...

This serene and reflective setting of the Magnificat and Nunc Dimittis was commissioned to mark the 300th anniversary of the death of Thomas Ken, Bishop of Bath and Wells. With expansive harmonies and...

This edition of the Salve Regina by Portuguese composer Diogo Dias Melgás (1638-1700) is the first published version of the work, which has previously only been available in a library edition. Suitabl...

This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter: a stirring combination of music and text that was also used at the funeral of Diana...

This is a grand and exultant arrangement of the hymn tune 'Llanfair' and is presented with two text options: 'Hail the day that sees him rise' for use at Easter, and 'Praise the Lord! his glories show...

This powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatoni...

In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services, the anthem is appropriately serene and luminisc...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Skempton's setting of the Preces and Responses is simple, well-crafted, and harmonically rewarding, and is perfect for choirs seeking new material for the liturgy.

This gentle anthem is built around a warm, hymn-like refrain, which gives way first to a free-flowing and expressive section and then to a more sombre section. With a Latin text from Ruth 1, this affe...

Setting a well-known Latin text, Miller mixes expressive harmony and flowing polyphony to create a touching anthem. The opening and closing sections develop the chant-like opening motif, enclosing a j...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

This radiant setting of the popular 'O nata lux' text features sumptuous and sophisticated harmonies and accessible vocal lines. The anthem builds to a central climactic moment followed by a reprise o...

William Blake's poem, 'A Cradle Song', is brought to life in this elegant setting by Chilcott. The gentle, recurring melody is passed from sopranos to altos, supported by 'oo's and 'ah's in the lower...

for SATB unaccompanied This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative e...

Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing wit...