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Let's Play Boogie est une œuvre vivante et pleine d'énergie de Bertrand Moren. Inspirée du style boogie-woogie, elle allie virtuosité rythmique et mélodies joyeuses. La pièce se caractérise par un jeu...

Let's Play Boogie est une œuvre vivante et pleine d'énergie de Bertrand Moren. Inspirée du style boogie-woogie, elle allie virtuosité rythmique et mélodies joyeuses. La pièce se caractérise par un jeu...

Let's Play Boogie est une œuvre vivante et pleine d'énergie de Bertrand Moren. Inspirée du style boogie-woogie, elle allie virtuosité rythmique et mélodies joyeuses. La pièce se caractérise par un jeu...

Compared to What arranged by Mike Kamuf has a straight-eighth groove played around 148 BPM with a distinctive Les McCann flavor. Written solos provided for tenor 1 and trumpet 2, unison sax lead lines...

Compared to What arranged by Mike Kamuf has a straight-eighth groove played around 148 BPM with a distinctive Les McCann flavor. Written solos provided for tenor 1 and trumpet 2, unison sax lead lines...

This superb chart covers all the bases! Played around 148 BPM with a suggested written tenor solo, and lead trumpet range to written G on top of the staff. A swinging intro gives way to a circus-like...

Based on a generic cell phone sound, this clever calypso chart sounds great around 150 BPM. Trumpet 1 range is to written G on top of the staff, and a suggested written-out solo is provided for alto 1...

Wow! This terrific chart is inspired by the iconic Clark Terry version featuring two trumpets with plungers. A swing chart played around 112 BPM with sample solos provided for tenor 1 and trumpet 2, a...

Wow! This terrific chart is inspired by the iconic Clark Terry version featuring two trumpets with plungers. A swing chart played around 112 BPM with sample solos provided for tenor 1 and trumpet 2, a...

A medium-up swing played around 140 BPM, the melody is initially stated by saxes with a stop-time feel, building into optional suggested solos for trumpet 2, alto 1, tenor 1, and trombone 1 followed b...

A medium-up swing played around 140 BPM, the melody is initially stated by saxes with a stop-time feel, building into optional suggested solos for trumpet 2, alto 1, tenor 1, and trombone 1 followed b...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

A cheerful Latin waltz with a pseudo-6/8 syncopation throughout, Abacus was written for the 2022 Indiana Junior All-State Jazz Ensemble. Optional vibes and auxiliary percussion round out a fully-orche...

A cheerful Latin waltz with a pseudo-6/8 syncopation throughout, Abacus was written for the 2022 Indiana Junior All-State Jazz Ensemble. Optional vibes and auxiliary percussion round out a fully-orche...

Ryan Fraley's arrangement of Camille Saint-Saëns' Danse Macabre transforms the iconic nineteenth-century supernatural tone poem into a dynamic 1930s hot-jazz piece reminiscent of Django Reinhardt's sw...

Ryan Fraley's arrangement of Camille Saint-Saëns' Danse Macabre transforms the iconic nineteenth-century supernatural tone poem into a dynamic 1930s hot-jazz piece reminiscent of Django Reinhardt's sw...