Partitions difficile pour Big Band

Cette version de Two O'Clock Jump provient de l'orchestre Harry James des années 1950. Elle est beaucoup plus décontractée que la version originale. Ce numéro est idéal pour la danse swing et groove d...

In a Mellow Tone a été écrit par Duke Ellington et a été un succès pour son groupe et celui de Count Basie. La partition de Basie a été écrite par Frank Foster, et notre version s'en inspire étroiteme...

Ultra, écrit par Harry James, n'est pas un morceau de swing comme les autres. Après une ouverture percutante, le baryton prend le premier refrain en solo, soutenu par une alternance de trombones et de...

Il s'agit de la version originale d'Helen O'Connell de "Just You, Just Me", tirée de son album "Here's Helen", telle qu'elle a été enregistrée avec l'orchestre de Marion Evans. Il ne s'agit pas d'une...

Ce thème a été transcrit à partir de l'arrangement de Nelson Riddle sur l'album de Sinatra "Sinatra's Swingin' Session". C'est un "bâtisseur", et il se construit avec style. Nelson Riddle a pris ce si...

From the album 'Rock Swings' a very effective medium groove version of the 1994 Soundgarden number in the classic Sinatra/Basie style. Available for Augmented Big Band with full strings (POW4330) The...

Swing chart featuring trpt & tenor on the initial melody. Sax soli. Some sax dbls.

Right from the Count Basie book, and taken from the latest CD from the Count Basie Band. This is not a re-arrangement! These are the parts used by Frank Foster and the Basie Band in their nightly enga...

Der Opener zu Phil Collins Serious Hits Live Tour This is the African style call and response song featured on the video release of his Berlin concert and re-created for the full big band by Harry Kim...

C'est Frank Sinatra à son meilleur. Ce morceau est une transcription de Sinatra with the Count Basie Band, extrait de Sinatra at the Sands. Elle comprend le morceau original de l'orchestre - grand, pe...

Écrit par Bill Finegan pour le Glenn Miller Orchestra, ce numéro est un excellent exemple de ses talents d'arrangeur. Il a pris un air simple (Yo Ho Heave Ho) et l'a transformé en un morceau mémorable...

A moody lyricism pervades this medium tempo even 8th chart. Flute, trombone and tenor carry the melody and solo space is provided for soprano sax and trombone. (2 Trp., 1 Trb. S.T. sax, alto flute/bas...

Celebration, a 4-movement suite, was written for and premiered by Gerry Mulligan at the Schleswig-Holstein Musik Festival in Lübeck, Germany in 1994. Recorded by Bob Brookmeyer and the New Art Orchest...

Celebration, a 4-movement suite, was written for and premiered by Gerry Mulligan at the Schleswig-Holstein Musik Festival in Lübeck, Germany in 1994.Recorded by Bob Brookmeyer and the New Art Orchestr...

Celebration, a 4-movement suite, was written for and premiered by Gerry Mulligan at the Schleswig-Holstein Musik Festival in Lübeck, Germany in 1994.Recorded by Bob Brookmeyer and the New Art Orchestr...

Solo trombone part can be performed by one of the trombonists in the band or by a guest soloist.

Prism is a modal composition which is based largely on several reharmonizatios of a simple 8-bar melody. It is a jazz waltz and features the lead alto sax. Correlated with Vol. 1 of the Jazz Workshop...

Two tenors are featured soloists w/trading choruses. Some sax dbls. Recorded by Bob Florence Limited Edition on Soaring on Sea Breeze Jazz.

Bob Curnow has taken the brilliant arrangements done for the Stan Kenton Orchestra by Ralph Charmichael and created a medley of fresh, modern versions containing Angels We Have Heard on High, The Holl...

Le jazz des fêtes de Gordon Goodwin. Cette adaptation de "Oh Tannenbaum" est une véritable aventure, offrant un choral, un peu de style Basie et un bebop rapide et furieux de Goodwin. Espace solo pour...

Recorded by Rob McConnell and the Boss Brass Jazz Big Band Arrangement Here is one of the classic holiday arrangements as written by the great arranger/trombonist Rob McConnell. Featured on the 1998 C...

Introducing a slow, funky version of 'Little Drummer Boy' that's very clever with the initial melody line played by bass trombone and bari sax. The tempo is 110 BPM, the chart has a soprano sax lead,...