Partitions difficile pour Big Band

Movement VII ? (of 7) of the Cuban Fire Suite. Finally ... the definitive version of this magnificent music. The seventh of seven movements published by Sierra Music. This is the 'lost movement', whic...

Faites passer votre groupe à la vitesse supérieure avec ce morceau innovant qui alterne entre un hard swing et un abakuss afro-cubain. Mettant en vedette le trombone et le ténor, ce morceau a tout pou...

Voici un autre arrangement Sharp de l'un des classiques les plus connus de Johnny Mark pour les fêtes de fin d'année. Après un choral rubato et luxuriant, ce morceau up-tempo passe efficacement du roc...

This is one of the most creative, important big band compositions ever written by anyone! It is also a chart which has been in demand for many years. We publish this in the memory of the passing of Wi...

From the CD 'A Portrait Of Sammy,' this refreshing jazz/rock chart with strong melodic elements features piano, tenor sax and guitar solos. Several unison trumpet/flugelhorn passages are an added bonu...

As recorded by the Thad Jones-Mel Lewis Orchestra on their album of the samename, this classic chartfeaturesan ABAschematic-- it opensand closes in adriving hard rock style with a contrasting slow bal...

A luscious alto sax ballad at 74 BPM. A lyrical vehicle with rich harmony and textures, soaring ensemble figures, and a soli with saxes (alto 2 opt flute), trumpet 2, guitar, and piano. A brilliant ch...

A luscious alto sax ballad at 74 BPM. A lyrical vehicle with rich harmony and textures, soaring ensemble figures, and a soli with saxes (alto 2 opt flute), trumpet 2, guitar, and piano. A brilliant ch...

One More Dream is a wonderful alto sax ballad feature played at 68 BPM. The woodwinds have various doubles for alto flute and clarinet but are optional, plus there are optional horn in F parts. This P...

One More Dream is a wonderful alto sax ballad feature played at 68 BPM. The woodwinds have various doubles for alto flute and clarinet but are optional, plus there are optional horn in F parts. This P...

Recorded by Rob McConnell and the Boss Brass Jazz Big Band Arrangement This is quite possibly the best arrangement of this standard ever conceived. Written in 1976 and featured on the Boss Brass album...

Blues for Pablo was originally written for Hal McKusick for inclusion on his Jazz Workshop LP recorded in 1956 for RCA Victor Records (this album also included Jambangle, which was later re-orchestrat...

RECORDED BY THE MILES DAVIS/GIL EVANS ORCHESTRA ARRANGED BY GIL EVANS, EDITED BY JEFFREY SULTANOF This is the brilliant ballad treatment of the Kurt Weill/Ira Gershwin standard by Gil Evans as recorde...

Background: Gerry Mulligan was a precocious young musician of seventeen when he walked into the studios of radio station WCAU in Philadelphia and asked staff arranger/conductor John Warrington if he c...

WRITTEN FOR DUKE ELLINGTON COMPOSED AND ARRANGED BY MARY LOU WILLIAMS, EDITED BY JEFFREY SULTANOF Mary Lou Williams left Andy Kirk's band in May of 1942, and traveled with her husband, trumpeter Short...

As recorded by the Thad Jones-Mel Lewis Orchestra on the Blue Note album of the same name, this lyrical showcase for flugelhorn and piano soloists also features impressive full-band and sax soli passa...

Gordon's chart is a New Orleans groove with the creative Goodwin touch. Solo space is for alto, tenor, trumpet and trombone. Lead trumpet range is up to high G and some piano ostinato licks are just a...

An original by Gordon Goodwin, this is a jazzy half-time groove chart. This chart is not as challenging as some of Gordon's other charts, but it will still work the band. Features solo space for alto,...

First written for the Count Basie Orchestra in 1983 and later revised for the Sammy Nestico CD 'This Is The Moment,' this great blues tune features an extended, three-chorus soli for the sax section....

Originally recorded by Count Basie and completely revised for the SWR Big Band CD Basie-cally Sammy, this medium-bright original swings hard and features lots of satisfying full-ensemble work. Solos f...

First recorded by Count Basie, then Quincy Jones, and most recently by the SWR Big Band on their 'Basie-cally Sammy' CD, this popular blues tune was originally written for 'Sweets' Edison and features...