Partitions difficile chez Southern Music Company

These twelve trios for two soprano clarinets in Bb with bass clarinet cover a wide range of styles and musical periods. Movements include: I. Intrada, II. Canon, III. Unison, IV. Romance, V. Scherzo,...

These twelve trios for two soprano clarinets in Bb with bass clarinet cover a wide range of styles and musical periods. Movements include: I. Intrada, II. Canon, III. Unison, IV. Romance, V. Scherzo,...

This is a suite on Ancient Airs from Normandy and is in four movements.

This quartet for advancing players can be performed by four Bb clarinets or three Bb clarinets and bass clarinet.

This delightful quartet takes players on a tour of four Italian cities: Rome, Florence, Venice, and Napoli. Movements: I. Roma- Campanelle (Bells), II. Firenze- La Florentina (Florentine Girl), III. V...

The word 'streltsy' has both Hungarian and Russian origins. However, the meaning of both is similar, referring to infantry or guards armed with a bow. This work for clarinet quartet was written by Tec...

After the success of his Bass Trombone Concerto, Nelhybel turned to write a duet in 4 movements for tenor and bass trombones with band, which was premiered by Mark Weaver and Vic Johnson with the US C...

After the success of his Bass Trombone Concerto, Nelhybel turned to write a duet in 4 movements for tenor and bass trombones with band, which was premiered by Mark Weaver and Vic Johnson with the US C...

Little known in the United States, Russian composer Mitushin Alexander was largely self-taught.

This composition for advanced players is written in memory of Philip Farkas (1914-1992), principal horn player in the Chicago Symphony Orchestra, teacher at Indiana University Bloomington, and author...

Versions for solo tuba, trombone/baritone, and horn are all available from the publisher.

Commissioned by the Texas Music Teachers' Association. Movements: I. Prelude, II. Fugue, III. Interlude, IV. Scherzo

This collection of 8 duos for trumpet and trombone contains contrasting styles and time signatures. Players are asked to stand 25 feet apart in performance to create an antiphonal effect.

This brass trio is written for trumpet in Bb, horn in F and bass trombone. Movements: I. Intrada, II. Divertimento, III. Nocturno, IV. Serenada, V. Lamento, VI. Concertino. It won the 1996 Internation...

Musically, the term 'centone' refers to the practice of combining separate works by one composer, or by different composers. In this Centone No. 1, the four works selected are by different composers,...

Musically, the term 'centone' refers to the practice of combining separate works by one composer, or by different composers. In Verne Reynolds' Centone No. 2, the works by Johann Joseph Fux include: I...

Musically, the term 'centone' refers to the practice of combining separate works by one composer, or by different composers. In Verne Reynolds' Centone No. 2, the works by Johann Joseph Fux include: I...

Musically, the term 'centone' refers to the practice of combining separate works by one composer, or by different composers. Transcribed by Verne Reynolds. Movement: I. Fantasia, II. Four-Note Pavan,...

Musically, the term 'centone' refers to the practice of combining separate works by one composer, or by different composers. Transcribed by Verne Reynolds. Movement: I. Fantasia, II. Four-Note Pavan,...

Musically, the term 'centone' refers to the practice of combining separate works by one composer, or by different composers. In this Centone No. 5, the works by Scheidt include: I. Canzon Gallicam, II...

As suggested by the title, this short piece is an ideal choice for a bit of swing-style jazz variety in a chamber music program.

Composed for Robert Levy and the Iowa Brass Quintet. Includes trumpet parts for both Bb and C instruments.