Partitions difficile chez Schott Musik

An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin's late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This 'rive...

The acerbic and bizarre opulence of Baroque lyrical poetry sets the tone for vergehn wie Rauch (vanish like smoke). The interlinked themes running through the poems, expressed with similar linguistic...

Solostimmensatz - gemischter Chor (SSAATTBB), Trompete in B, Horn in F, Posaune und Tuba

Heinrich Poos (né en 1928) est un des grand compositeurs allemands de musique chorale de notre époque. Dans son cycle Orpheus, Poos reprend l'ancien mythe du chanteur et poète Orphée qui symbolise la...

Heinrich Poos (né en 1928) est un des grand compositeurs allemands de musique chorale de notre époque. Dans son cycle Orpheus, Poos reprend l'ancien mythe du chanteur et poète Orphée qui symbolise la...

The composer set the pensive, lamenting poem by Andreas Gryphius to music as a demanding choral work. The text is musically reinterpreted by means of varied tone colours and through an emphatic interp...

This three-movement work reflects the character of the wunderkammer, or Cabinet of Curiosities, which flourished between the 16th to 18th centuries: 'in this labyrinthine landscape, I found a natural...

In a number of works for musical theatre - 'The Rat-catcher' (The Pied Piper) based on a libretto by Michael Ende, the opera 'Eduard auf dem Seil' (Edward on the Tightrope) on a story by Mörike and 'D...