Partitions difficile chez Hal Leonard

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...