Partitions de Musique classique (romantisme) à télécharger

Danseuse Op.113, No.4, composed by Gabriel Fauré with words by Renée de Brimont. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for medium voice...

Diane, Séléné Op.118, No.3, composed by Gabriel Fauré with words by Jean de La Ville de Mirmont. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick f...

Exaucement Op.106, No.1, composed by Gabriel Fauré with words by Charles Van Lerberghe. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for medium...

La Lune Blanche Op.61, No.3, composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for medium voi...

Le Secret Op.23, No.3, composed by Gabriel Fauré wkith words by Armand Silvestre. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for medium voice...

Les Berceaux Op.23, No.1, composed by Gabriel Fauré with words by Sully Prodhomme. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for medium voic...

Les Roses d’Ispahan Op.39, No.4, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for med...

Lydia Op.4, No.2, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for medium voice with...

Mai Op.1, No.2, composed by Gabriel Fauré with words by Victor Hugo. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for medium voice with piano a...

Mandoline Op. 58, No. 1, composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for medium voice w...

Nell Op.18, No.1, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for medium voice with...

Prison Op. 68, No. 1, composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for medium voice with...

L'attrait romantique, pittoresque et dramatique de la chrétienté médiévale a inspiré à Richard Wagner, après "Tannhäuser", "Lohengrin". Il s'agit d'un opéra romantique en trois actes, créé en 1850 à W...

L'attrait romantique, pittoresque et dramatique de la chrétienté médiévale a inspiré à Richard Wagner, après "Tannhäuser", "Lohengrin". Il s'agit d'un opéra romantique en trois actes, créé en 1850 à W...

L'attrait romantique, pittoresque et dramatique de la chrétienté médiévale a inspiré à Richard Wagner, après "Tannhäuser", "Lohengrin". Il s'agit d'un opéra romantique en trois actes, créé en 1850 à W...

L'attrait romantique, pittoresque et dramatique de la chrétienté médiévale a inspiré à Richard Wagner, après "Tannhäuser", "Lohengrin". Il s'agit d'un opéra romantique en trois actes, créé en 1850 à W...

Mendelssohn a écrit la musique de scène pour le Songe d'une nuit d'été de Shakespeare en 1842, 16 ans après avoir écrit l'Ouverture. Elle a été écrite à la demande du roi Frédéric-Guillaume IV de Prus...

Ian Crawford's arrangement of Schubert's famous and brilliantly dramatic Erlkönig enables choirs to explore dramaturgy and storytelling while learning a staple of Schubert's rich output for voices. Th...

The unforgettable melody from Offenbach's opera, The Tales of Hoffman, has been inventively adapted into a lesson on solfège and the life of the composer himself! Perfect for practicing fluency with m...

Introduce Saint-Saën's beloved instrumental chamber work in a highly creative way! Playful original lyrics accompany strong two-part writing and an enchanting piano accompaniment. To get the full effe...

You may have studied this beloved Schubert art song in voice lessons, and now you can share it with developing choirs in a well-constructed, approachable arrangement. The choice of key fits comfortabl...