Partitions de Musique classique moderne pour Chœur mixte

This short sacred work for unaccompanied mixed choir is a highly atmospheric setting of the poet Henry Vaughan's mystical and enigmatic poem of the same name. Written for the choir of St Peter's Colle...

Skilfully set to tender words by the poet e e cummings, 'I carry your heart' is a secular work originally for men's voices, rescored by the composer in this version for mixed voices. The piece was com...

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

This is a tender setting of a text by American poet Edith Franklin Wyatt that speaks of companionship and the joys of sharing it as we travel along the road of life. Hagenberg employs her rich harmoni...

'Peace in the world' is the expressive middle movement from Images of Peace , which is a cycle of five songs that encourage peace and understanding. Although composed for secular use, this beautifully...

In this ethereal, atmospheric setting of Canadian poet Marjorie Pickthall's 'Stars', Oliver Tarney displays great sensitivity to the poem's vivid imagery and employs an evocative harmonic language tha...

When spring comes walking is a warm and optimistic setting of an evocative poem by Charles Bennett that explores themes of rebirth, nature, and celebration. Chilcott embraces the return of spring with...

In this lively 6/8 setting, Assersohn explores a macaronic 15th-century text ('A Patre Unigenitus/Through a maiden is come'), with its exclamations of 'Eya!' reinforcing festive celebration. Featuring...

This is an appealing setting of the popular Elizabeth Barrett Browning poem 'How do I love thee?'. Bearing all the hallmarks of Jackson's unique style, this piece is a welcome addition to the musical...

The star has come is an illustrative and imaginative setting of a poem by Robert Seatter. In response to the evocative text, Williams uses portamenti techniques to create musical imagery, and explores...

Tarney's setting of this traditional Scottish text offers catchy melodies and folk-inspired harmonies, driven by a rhythmic piano accompaniment. The ballad is framed by a repeating, haunting, and ethe...

The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting, this piece will pro...

This setting of a tune from The Sacred Harp is strong and march-like, with accented rhythms and percussive vocal lines contributing to a rousing overall effect. It was originally published as part of...

This short sacred work for unaccompanied mixed choir is a highly atmospheric setting of the poet Henry Vaughan's mystical and enigmatic poem of the same name. Written for the choir of St Peter's Colle...

Skilfully set to tender words by the poet e e cummings, 'I carry your heart' is a secular work originally for men's voices, rescored by the composer in this version for mixed voices. The piece was com...

This is a tender setting of a text by American poet Edith Franklin Wyatt that speaks of companionship and the joys of sharing it as we travel along the road of life. Hagenberg employs her rich harmoni...

In this lively 6/8 setting, Assersohn explores a macaronic 15th-century text ('A Patre Unigenitus/Through a maiden is come'), with its exclamations of 'Eya!' reinforcing festive celebration. Featuring...

This is an appealing setting of the popular Elizabeth Barrett Browning poem 'How do I love thee?'. Bearing all the hallmarks of Jackson's unique style, this piece is a welcome addition to the musical...

The star has come is an illustrative and imaginative setting of a poem by Robert Seatter. In response to the evocative text, Williams uses portamenti techniques to create musical imagery, and explores...

This is an imaginative setting of a sequence of nine poems from 'Viking Poetry of Love and War' by Judith Jesch. The war poems are formal and celebratory, making vivid use of figures of speech known a...

This work builds up from just a few voices into a chorus of joyous celebration of the three miracles of the Epiphany: the Magi being led to Jesus' birth, water being changed into wine, and Jesus' bapt...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...

This is an imaginative setting of a sequence of nine poems from 'Viking Poetry of Love and War' by Judith Jesch. The war poems are formal and celebratory, making vivid use of figures of speech known a...

This setting of A spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

The text for this piece is a response to Allen Ginsberg's A Supermarket in California by Latvian poet Kārlis Vērdiņš, translated by Ieva Lešinska. Jackson exploits its dramatic intent, giving space fo...