Partitions de Musique classique à télécharger

This arrangement closes a gap in the repertoire since there is no easy literature from the baroque period for today's common Bb trumpet.

This arrangement closes a gap in the repertoire since there is no easy literature from the baroque period for today's common Bb trumpet.

Corrette became known mainly by his numerous excellently drafted school works which aroused the admiration of his contemporaries and which are now important sources for the historical performance prac...

Corrette became known mainly by his numerous excellently drafted school works which aroused the admiration of his contemporaries and which are now important sources for the historical performance prac...

Corrette became known mainly by his numerous excellently drafted school works which aroused the admiration of his contemporaries and which are now important sources for the historical performance prac...

This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...

This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...

This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...

This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...