Partitions de Musique classique à télécharger

Experience the magic of Mendelssohn's music and the spell of Shakespeare's words in this sprightly setting adapted for chorus. An exciting challenge for treble choruses, it will be lots of fun to rehe...

Treble choirs will enjoy singing this gorgeous melody from Humperdinck's Hansel and Gretel. In this setting, the clarity and simplicity of the musical lines will shine brightly and it is an unsurpasse...

Brahms' radiant Lieder is crafted into this lovely SSA choral work. Unison singing establishes the melody then breaks off into three-part harmony. Individual part-singing in the second verse makes thi...

One of four songs presented to Robert Schumann by his wife Clara, this setting is a shining example of the composer's ingenuity, and is a wonderful introduction to Romantic era style and performance p...

See the light sets a text by the composer inspired by the Hawaiian story 'The Bowl of Light'. With its uplifting melodies and energetic rhythms, this accessible piece explores the light in each person...

Ramsey's characterization of the fairy's monologue from A Midsummer Night's Dream is both fun and imaginative, with rhythmic fluidity, a driving piano part, and clever accentuation perfectly complemen...

This secular work for upper voices sensitively sets Langston Hughes's poem of the same name. A lilting melodic line, eloquent part-writing, and an effective piano part combine to create a piece that w...

This is a beautiful setting of an anonymous medieval text that follows a broken-hearted lover into the woods. Fluctuating between major and minor keys, Chilcott's melody is full of nostalgia and grows...

This is an uplifting setting of a fun text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic piano part, and a contrasting mid...

A simple, delightful setting of a Yeats poem which embraces nature's beauty and the secret joy of solitude. Suitable for concert use.

This delicate, spring-like poem, by Kevin Crossley-Holland, is an affectionate salutation to a newborn babe. After a hushed introduction of whispered welcomes, the voices burst into a dance-like song...

With a text by Eugene Field, Higgins' charming melodies gently rock in compound time and start off in unison before growing into a simple two-part texture. The voices are supported by a busy piano par...

With a text by the composer, this is a beautiful piece about optimism, companionship, and the belief that 'all will be well'. Todd's gentle melodies are supported by a delicate, pulsing piano accompan...

Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and comb...

This sparkling celebration of nature is inspired by the snowy winters of the composer's native Canada. It was originally published in a version for SATB, solo cello, and piano as part of the five-move...

Like the original version for SATB voices, this upper-voice arrangement of Wide Open Spaces reflects on the journeys and adventures to be found in the wide opens spaces within ourselves and in the wor...

This uplifting piece sets a text inspired by Julian of Norwich, with additions by the composer. Quartel's intertwining vocal lines are beautifully combined with a soaring violin part and flowing piano...

These three choruses are extracted from the anthology Opera Choruses. Orchestral material is available on hire.

Although quite short, this is one of Clarke's boldest and, in some respects, most ambitious compositions. It sets Shelley's magnificent ode to the Evening Star.

This exquisite setting for SSA unaccompanied voices of a well-known Marian motet (in Latin) was the first of Rebecca Clarke's choral works ever to be published.

A stirring text combined with solid choral writing make this an ideal choice for concerts and festivals. Perfect for massed choirs or for any size choir. Starts small, builds, and then ends quietly: '...

Sally Albrecht has taken a famous text from Much Ado About Nothing and set it to a charming, original melody for SSA voices. The piece has a madrigal-like quality, complete with a 'hey nonny, nonny' s...

An outstanding concert work with a powerful text for SATB and SSAA choirs. Careful attention is paid to the text with mostly homophonic writing and an A-B-A form. The piano part is not difficult and s...

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...