Partitions chœur

Arranged as a two-part song by the composer, using words by W. G. Rothery.

Mendelssohn's I Waited For The Lord (The Hymn Of Praise) arranged for two high voices in the Key of D. Although it is often performed as a seperate work, The Hymn Of Praise was originally written as p...

Humorous part-song for SS (or SA) chorus, with words written by F. E. Weatherley and music composed by Sir Frederick Bridge. Includes piano accompaniment for rehearsal purposes.

Arranged as a two-part song by the composer, using words by Rudyard Kipling.

Cnon for Equal Voices. The Words are Traditional and the Music by Eric Thiman.

A two-part song (SA) with piano accompaniment. Words by William Wordsworth.

From the cantata King Olaf, with words by Longfellow. Adapted for two-part choir from the composer's SSA arrangement.

A celebratory song herlding the approaching summer, based upon a text by S. Longfellow and written for the upper voices with Piano accompaniment.

The second of Two Ballads by Arthur Bliss - Flowers In The Valley was commissioned by the Isle Of Man Arts Council for the school children of the island. This accessible and enchanting setting of a te...

Adapted from an old Fench song by Robert Elkin, using words by Georgina Tanner. For unison voices and piano accompaniment.

Using words by H. Whitehall. For piano and unison voice.

For SA voices and piano, using text by James Joyce.

For Unison Voices and Piano. Text: Michael Franklin.

For Unison voices and Organ accompaniment.

For Unison Voices

For Upper voices (SA chorus) and Piano, using words by Christina Rossetti.

Dressed In Blue for Soprano, SA voices and Piano by Patrick Hawes.

We Remember Them is an arrangement of the central section of the three movement work, Triptych, which itself represents the concatenation of two commissions.

The original version of this setting of the well-known traditional English folk song was completed in 1974, and was commissioned by Rachel McMillan College of Education (where Gregson was a lecturer a...