Partitions chœur

Traditional French Carol arranged for TTBB Choir A Cappella by Alice Parker and Robert Shaw.

A dynamic, and highly rhythmic adaptation of a traditioanl Negro Spiritual. This version of Mary Had A Baby has been specially arranged by Alice Parker and Robert Shaw for four-part Men's voices and S...

For Mixed Voice A Cappella.

Traditional spanish song arranged by Robert Shaw and Alice Parker for alto solo and TTBB (men's voice) choir a cappella.

This is a wonderfully lively and inspiring Spiritual which has been arranged by fenno heath for TTBB Choir a cappella. This edition also provides a Piano part for rehearsal purposes.

From Christina Rossetti 'A Christmas Carol'. Setting for Four-Part Chorus of Men's Voices A Cappella.

(Malotte/arr. Christopher) TTBB a cappella

One of the two winners of the 1997 G. Schirmer Young Composers competition, this tender setting of the William Blake poem is delicate, yet agile, with compelling vocal writing and distinctive harmonie...

Continuing the proud history of the Harvard Glee Club, this male voice setting of a Welsh folksong will showcase your singers at their best, offering many opportunities to develop phrasing, intonation...

For TTBB (and two soloists) unaccompanied This is a stirring arrangement of the gospel classic for unaccompanied male voices, with two idiomatic solos. Jefferson's characterful arrangement of the fami...

This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Together, these elements capture both t...

Sing, my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line, the buoyant 7/8 metre of the opening driv...

Skilfully set to tender words by the poet e e cummings, 'I carry your heart', this piece was commissioned by the acclaimed close-harmony group, The King's Men, and was recorded on their album Love fro...

TTBB sans accompagnement. Cette œuvre, qui reprend des paroles inspirantes de James Weldon Johnson, est à la fois poignante et émouvante. My heart be brave est un choix idéal pour les chœurs qui souha...

TaReKiTa is a refreshing concert piece that effortlessly fuses the Hindustani (North Indian) and Western classical music styles. The composer's scats are combined with a fast triple metre, vocal slide...

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this enchanting carol. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody, in 6/8 metre,...

pour TTBB sans accompagnement. Cette très belle mise en musique par John Rutter de l'une des plus anciennes prières anglaises, tirée du Sarum Primer de 1514, a été spécialement adaptée par le composit...

Ce chant pour chœur a cappella juxtapose un texte latin à un spirituel jubilaire célébrant les Rois Mages qui ont vu l'étoile les conduire à l'enfant nouveau-né. L'énergie rythmique naturelle est ampl...

A Tagalog folk song for TTBB unaccompanied - Tagalog is the major language of the Philippines, related to the Indonesian language.

Under the heading of opus 1 Sibelius grouped together five Christmas carols for voice and piano, written between 1895 and 1913. Best known of these is Giv mig ej glans, ej guld, ej prakt (We ask for N...

Have you heard the story of the baby boy, born in Bethlehem? From that simple question Jay Althouse has crafted another superb, original Christmas spiritual. It features contrasting dynamics (excellen...

This popular general-purpose spiritual is now available for your men. Creative and full-sounding choral writing features both homophonic and 2-part textures. Clever, innovative, non-sacred text: 'No n...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

Now available for men's choirs, this exciting original Althouse Christmas spiritual opens with the basses stating a rhythmic theme, followed by the middle voices and finally the top. The three verses...