Partitions chœur

SATB soli, SATB chorus and orchestra

Composed in 2020 at the invitation of the Festival de Chaillol for the vocal ensemble Musicatreize, 'Lands Unseen' for 6 voices a cappella sets poems of four female writers from different places and t...

Eja, mater, fons amoris ("O, Mère, fontaine d'amour") est un extrait du poème latin du XIIIe siècle Stabat Mater, un hymne à la Vierge Marie décrivant ses souffrances lors de la crucifixion de son fil...

Philip Kern skillfully weaves together two familiar spirituals, Ezekiel Saw The Wheel and There Is A Little Wheel A'Turning In My Heart, to create a choral gem. The voices sing each melody separately,...

Have you heard the story of the baby boy, born in Bethlehem? From that simple question Jay Althouse has crafted another superb, original Christmas spiritual. It features contrasting dynamics (excellen...

A simple four-measure a cappella opening develops slowly and meaningfully into a gorgeous ballad of farewell. 'I know you must travel your road as I must travel mine, but may our paths meet again some...

This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...

All Ye Who Love Music was given its English text by Thomas Oliphant in 1837. This arrangement has been lowered one step from the original key of G major to F major. The soprano (Part 1) melody is basi...

This sensational arrangement of the ever-popular spiritual begins in Eb and ends in G with a bright, showy finish. It includes a rhythmic a cappella section reminiscent of an old-fashioned gospel quar...

Breathtaking! This gorgeous setting of the Agnus Dei text begins piano and gradually crescendos to a mezzo forte before ending in a pure, hushed final major chord. Easy to teach, this ABA-form piece w...

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

This popular general-purpose spiritual is now available for your men. Creative and full-sounding choral writing features both homophonic and 2-part textures. Clever, innovative, non-sacred text: 'No n...

Another well-edited arrangement by Russell Robinson of a light and spirited work from the madrigal repertoire. It's the perfect choice for any SSA or 3-part mixed choir, with or without experience in...

An emotional and electrifying new arrangement of a classic American work, with your choice of accompaniment options, including full concert band. Fine choral writing is the hallmark of this work, with...

A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...

Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.

An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

Much repetition and a catchy makes this 7/8 number deceptively easy to learn. Opens with eight measures in 7/8, then a smooth, homophonic andante section in 4/4, followed by a repeat of the opening 7/...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

Straightforward, homophonic vocal writing is the highlight of this fullsounding yet simple Christmas work. It's in the style of a madrigal, and may be performed with or without piano.

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

Two texts, one general and the other for Christmas, make this joyous work ideal for year round concerts, festivals, and adjudications. The open 5ths introduced by the treble voices are echoed by the m...

A 'fa la la' section in this joyful number makes it appropriate for both Christmas and general use. It's a fine learning piece in the madrigal style, yet the singable melodies make the independent voc...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...