Partitions chœur

This is an appealing setting of the popular Elizabeth Barrett Browning poem 'How do I love thee?'. Bearing all the hallmarks of Jackson's unique style, this piece is a welcome addition to the musical...

The star has come is an illustrative and imaginative setting of a poem by Robert Seatter. In response to the evocative text, Williams uses portamenti techniques to create musical imagery, and explores...

This simple, uplifting anthem is characterized by flexible rhythms that sensitively complement the metre of the text and a beautifully reflective set of Amens at its close.

In this haunting arrangement of the well-known carol, Higgins creates a mystical soundscape by layering a single motif in a four-part soprano canon. These repetitions echo throughout and support the v...

This lavish arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a...

This thought-provoking carol takes up the topical theme of the plight of refugees, drawing parallels with the stories and reception of Christ's birth. The text, by the composer, alludes to familiar li...

If you love me is a beautiful and unique setting of a well-known Pentecost text. Coloured by nuanced dynamics, Young's rich, extended harmonies create tension throughout the piece, before finally reso...

With a text by Thomas Campion, View me, Lord is a tender prayer characterized by its sensitive text-setting. Each verse features a change in voicing, rhythm, and harmony, while the ever-changing metre...

This expressive, proclamatory setting of verses from George Herbert's 'Easter' features eminently singable vocal lines, antiphonal writing, and imaginative word-painting.

In this bittersweet pastoral setting Bednall's flowing melody lines are paired with the tender words of the contemplative First World War poet, Siegfried Sasson. The 5/4 metre lends a wistful whimsica...

William Blake's poem, 'A Cradle Song', is brought to life in this elegant setting by Chilcott. The gentle, recurring melody is passed from sopranos to altos, supported by 'oo's and 'ah's in the lower...

This is an imaginative setting of a sequence of nine poems from 'Viking Poetry of Love and War' by Judith Jesch. The war poems are formal and celebratory, making vivid use of figures of speech known a...

This work builds up from just a few voices into a chorus of joyous celebration of the three miracles of the Epiphany: the Magi being led to Jesus' birth, water being changed into wine, and Jesus' bapt...

Hail, heavenly beam is a powerful and joyful setting of a 9th-century advent prayer. Coloured by rich harmonies and tonal shifts, the piece opens briskly before propelling itself towards a rousing con...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...

McDowall's setting of Isaac Watts' Cradle Hymn is beautifully tender, coloured by its rich harmonies, suspensions, and chromatic notes. The melodies are complemented by sustained 'oo's and 'ah's and r...

This setting of A spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

for SATB unaccompanied This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative e...

This expressive piece is based on The Seven Sacred Virtues of the Lakota: the title describes a commitment to live by these values, the metaphorical 'red road', being a spiritual way of life. The unhu...

Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing wit...

This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousi...

McGlade's setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses, a...

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

This setting of a traditional Gaelic prayer is poignant and heartfelt, with sustained lines and a full, rich choral sound. Gentle shifts in harmony between various combinations of voices and the use o...

TaReKiTa est une pièce de concert rafraîchissante qui mêle sans effort les styles classiques indien et occidental. Les scats du compositeur sont combinés à un mètre triple rapide, à des glissades voca...