Partitions chœur

A Gaelic Blessing a été écrit pour la Louth Choral Society et reprend un texte écrit par William Sharp (sous son pseudonyme Fiona Macleod) et adapté par John Rutter pour sa pièce de 1978, également in...

An arrangement of Mealor's choral work of the same title for Apollo5. Scored for SATTB. A setting of a Greek Prayer from 250 AD.

Setting an original text by Grahame Davies this three and a half minute choral work was composed for Apollo5, the Ozark Festival Singers and High Point University Chamber Singers, North Carolina.

Une pièce chorale a cappella de quatre minutes pour l'Épiphanie, commandée par le Dr Colin Podmore pour marquer son année en tant que Maître de la Worshipful Company of Parish Clerks (2024-25). Créée...

In primim non nocere" de Paul Mealor est une œuvre de 5 minutes pour SATB divisi dédiée à Lord et Lady Chadlington, interprétée pour la première fois par les chanteurs de l'ORA en juin 2024. Le texte...

Extrait de The Wonders We Seek Without Us, commandé par le Master, les Fellows et les Scholars du Pembroke College, Oxford, à l'occasion du quadricentenaire du College en 2024. Dédié à la mémoire du D...

Pour le dix-septième dimanche après la Trinité, "Lord, we pray thee that thy grace" a été composé en 2021 pour le Grand Rapids Choir of Men & Boys, et son directeur associé, Matthew Owens.

For unaccompanied chorus. Duration: 2 minutes.

Version for ATTB Choir A Cappella. Piano reduction provided for rehearsal purposes.

Rosy May is a Scottish folk tune, beautifully arranged by composer Edgar Bainton for unaccompanied SATB chorus, featuring words by Robert Burns.

The vocal score for The Golden Skein, composed by Edgar Bainton with words by poet William Blake. The work is scored for unaccompanied SATB chorus.

O Come Quickly, Sweetest Lord is a composition by J. Philip Marshall that sets words by poet Thomas Campian for Unaccompanied SATB chorus.

Song On May Morning is a work by Gordon Jacob for Unaccompanied SATB chorus, featuring words by prominent English poet John Milton.

Sleep Secure is a work for Unaccompanied SATB chorus by Gordon Jacob, featuring words by King Charles I.

The Rose-Bud is composer William Cole's setting of William Browne's poem for unaccompanied SATB chorus.

The Constant Lover is an unaccompanied part-song for SATB Chorus by William Cole, with words by prominent English Cavalier poet Sir John Suckling.

Bruce Montgomery's I Loved A Lass is a setting of words by George Wither for Unaccompanied SATB chorus.

Bruce Montgomery's Gather Ye Rosebuds is a setting of prominent Cavalier poet Robert Herrick's words for Unaccompanied SATB chorus.

Overheard On A Saltmarsh is a work composed by M. Campbell Bruce for unaccompanied SATB chorus, with words by Harold Munro.

Description Of Spring is a madrigal for unaccompanied SATB chorus by Hubert Du Plessis, featuring words by prominent Renaissance poet Henry Howard.

If 'Twere The Time Of Lilies is a composition by Richard Drakeford featuring words by Venantius Fortunatus, translated by Helen Waddell. This work is scored for unaccompanied SATB chorus.

When Daisies Pied is a song for unaccompanied SATB chorus, composed by Richard Drakeford. It is a setting of words by William Shakespeare.

To Mistress Isabel Pennell is a composition by Wilfrid Mellers that sets words by poet John Skelton for Unaccompanied SATB chorus. The work is dedicated to The Northern Consort on their tenth annivers...

Epitaph is a work for unaccompanied SSATBB chorus by Gordon Crosse. It is a setting of words by Sir Walter Raleigh.

Sancta Trinitas, motet for unaccompanied SATB choir by Antoine De Fevin. Edited by Stanley Boorman.