Partitions chœur

Using the sturdy but lilting Shaker tune, Jeffrey Douma has crafted a beautiful a cappella setting appropriate for any good high school or college choir. With a text that is as important today as it w...

Though it sounds very much like a folk song, Lorena was actually composed in 1856. It became extremely popular during the Civil War, when it was a favorite of both Confederate and Union soldiers who l...

This arrangement of the beloved folk song was first premiered by the Yale Glee Club in the fall of 2006, and has since become an audience favorite. Probably referring to the Red River that flows north...

Donald Grantham has set the beautiful and descriptive Jane Kenyon Poem in a serene and gentle musical pallet. With lush harmonies and much rubato within a slow tempo, this is atmospheric in its final...

With a debut at Carnegie Hall as part of the New York Pops annual holiday concert, Habari Gani celebrates the inspiring message of Kwanzaa. Drawing from the beat box style so popular in today's a capp...

Long, legato lines and shifting tonal centers describe this setting by Matthew Emery of this famous James Joyce poem. Speaking of the power of both love and music and how they intertwine and collide,...

Lux Aeterna by Ivo Antognini for unaccompanied SATB choir.

Five popular spirituals, arranged for a cappella SATB chorus. Includes Piano part for rehearsal purposes.

The traditional Scottish folk tune O Jeanie, There's Naething To Fear Ye arranged by Gregg Smith for SATB choir a cappella.

The Silver Swan by Gregg Smith for SATB choir a cappella.

This famous Schirmer edition, now newly engraved, displays the simple line and homophonic textures for which de Victoria is known. Available separately, the VoiceTrax CD offers part-predominant tracks...

Maurice Duruflî (1902-1986) dedicated this hauntingly beautiful setting of the Lord's Prayer to his wife. Simple and direct, it is almost chantlike in its melodic purity. Originally written for unison...

With a text from the Celtic collection Carmina Gadelica these words speak directly from the heart, in simple and poignant language that is so often a creative departure from mainstream religious writi...

This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian s...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This wonderful parable by Will Allen Dromgoole has a dreamy quality and the music reflects that with a mix of soft jazz and classical stylings. Syncopated vocal accompaniment creates an effect that fe...

In this beautiful poem by Dorothy Parker, Mary knows her baby is holy simply because he is hers. She considers herself blessed whenever he reaches another birthday, without even knowing how few he has...

This beautiful text from Ovid's Metamorphoses speaks of the creatures named for the time they first appear: vespertilians (bats). Not scary or to be feared, rather, here they slip into shadows with tr...

This beautiful and simple melody for mixed, unison choir or solo is the perfect ending to a worship service or concert. It can be sung a cappella or with the optional clarinet, violin, viola and cello...

This is an arrangement, by Zalomen Mlotek, for mixed chorus, of a Yiddish Chanukah song written in 1921, by Solomon Golub and Abraham Reisen. The text describes a father chanting the blessings over th...

Legendary composer Kirke Mechem sets the Hebrew text that reminds us to entertain strangers, for thereby some have entertained angels. This inspirational text for SATB a cappella choir is accessible f...

This is an a cappella setting of Psalm 23, set in Hebrew. Composer Judith Shatin wrote this piece in 1995 and dedicated it to the memory of Prime Minister Yitzhak Rabin.

With a text by the composer, this is a delightful kaleidoscope of musical snippets that highlight the joys of choral singing! Melody, harmony, counterpoint, we can sing ANYTHING! Ta-dah!

Augusta Read Thomas' Psalm 91: Verse 11 for Boys and Men's Chorus or SATB Chorus, a cappella.

Poet and Iraqi war vereran Brian Turner writes moving accounts of the war that are vivid and powerful. Composer Shawn Crouch uses Turner's visceral images of the war but emphasizes the lyrical qualiti...