Partitions chœur

Gottwald always seems to find forgotten gems, and these Three Songs by Hans Sommer are an example. Based on texts by Goethe, they are arranged in inspired form for mixed chorus. For advanced choirs.

The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and p...

UE choral editor Clytus Gottwald brings us Three Early Songs of Anton Bruckner (Frühlingslied, Herbstkummer, and Im April), originally for voice and piano and now in settings for six-part choir. For a...

With songs translated by Clytus Gottwald, these three short songs for choir are a perfect introduction to Austrian composer, Joseph Marx's, body of work.

Composer and choir master Clytus Gottwald comments on his transcription of Anton Webern’s Im Sommerwind (1904) as follows: 'First of all I had to eliminate all those parts of the source material that...

Unlike the works Karol Szymanowski composed during the first two decades of the 20th century, his Stabat Mater could only have been written in a country with Slavic culture. Drawing on his musical roo...

With "Sunrise" (from the cycle "Give Me The Splendid Silent Sun"), Walton Music presents an exceptionally atmospheric choral piece for mixed choir (SATB) and piano. Inspired by the vivid and evocative...

Here is another fantastic South African arrangement from Barrett and Schmitt! Modimo is a song of praise and celebration. Improvised percussion and a traditional Sesotho melody make for a grounded and...

Anton Diabelli (1781-1858) hat neben 12 Messen auch über 100 Gradualien und Offertorien geschrieben. Das Graduale Puert natus est nobis gehört zu seiner berühmten Pastoralmesse. Von ihr stammen nicht...

Anton Diabelli (1781 - 1858) hat neben 12 Messen auch viele Gradualien und Offertorien geschrieben. Im Offertorium Angelus ad pastores ait hat er den weihnachtlichen Text auf großartige Weise musikals...

Das Offertorium Gloria et honore war von Carl Maria von Weber zu seiner 1818 in Dresden komponierten Messe Nr. 1 in Es-Dur op.75 für Soli, gemischten Chor, Orchester und Orgel gedacht. In den Ausgaben...

messe de Noël

Outre certaines parties de l'ordinaire (Kyrie, Gloria, Sanctus, Agnus), cette messe comprend également un chant d'ouverture et un chant d'offrande. Les textes ont été rassemblés par le compositeur à p...

Un « Alléluia » solennel, chanté avant l'Évangile avec la participation de l'assemblée (GL 175.2), pour chœur mixte, assemblée, saxophone soprano (hautbois, clarinette en si bémol), timbales, triangle...

Adaptation de l'« Intermezzo » tiré de « Cavalleria Rusticana » de Pietro Mascagni, réalisée par Alfred Hochedlinger pour soprano solo, chœur mixte (SATB), violon (flûte traversière) et orgue (pianofo...

Alains kompositorisches Schaffen wurde nicht nur durch die musikalische Sprache von Claude Debussy und Olivier Messiaen beeinflusst, sondern ebenso durch fernöstliche Musik, Tanz und Philosophie, das...

Ce cycle de douze pièces sur l'histoire de la Passion et de Pâques a été créé pendant la première phase de la pandémie de coronavirus et le confinement associé.

Musical in fünf Bildern zu Lukas 24,1ff par für Solisten, Kinderchor und Band Text von Eugen Eckert Musik von Peter Reulein

This is one of the composer's few mature works which does not include vocal soloists, making it an ideal concert opener. It is an attractive and accessible work, the vocal lines are not overdemanding,...