Partitions chœur

In this lovely arrangement the organ and vocal lines flow along smoothly while the harp ripples over the surface

This is a wonderful juxtaposition of texts in a vibrant setting. It is sacred, but gentle enough so that it should be usable in any situation.

The first chorus of Vivaldi's Beatus Vir Also available: Paratum Cor Ejus (HMC180), In Memoria Aeterna (HMC179), and Gloria Patri (HMC178)

A very nice, year 'round anthem of medium difficulty that begins unison, progresses through women's voices to the full choir, and finishes with the melody line and a descant up to the final phrase.

This is a joyous piece for summer or any time you do not have a full compliment of voices. The vocal line is actually unison until the last phrase, it is rather like a duet for choir and organ.

Final chorus from Vivaldi's Beatus VirAlso available: Beatus Viv (HMC177), Paratum Cor Ejus (HMC180), and In Memoria In Aeterna (HMC179).

Lovely new setting of this gracious invocation of the Holy Spirit

Schwoebel has written a beautiful new setting for this hymn of faith and dedication.

A lovely prayer scored for choir with keyboard and trumpet, this work could be appropriate for world communion Sunday, for missions, or general use.

This moderately difficult piece for college or community choir with words by Elinor Wylie is like a serene walk through newly fallen snow.

The third chorus from Vivaldi's Beatus Vir produces an atmosphere of floating transparencyAlso available: Beatus Vir (HMC177), Paratum Cor Ejus (HMC180), and Gloria Patri (HMC178)

The second chorus from Vivaldi's Beatus Vir is a thought (and discussion) provoking piece Also available: Beatus Vir (HMC177), Paratum Cor Ejus (HMC180), and Gloria Patri (HMC178)

In this thought (and discussion) provoking modern folksong, the flute and clarinet (representing the winds of hope and change) provide a counterpoint to the vocal line.

A festive anthem scored for choir with brass quintet, timpani, and organ, this celebratory work could be appropriate for music ministry Sunday, renewal Sunday, or dedication Sunday.

A magnificent festive anthem based on a familiar hymn tune by the dependable pen of Robert Lau. Try it for general use, Christ the King Sunday, or any celebration.

Based in part on texts of Charles Wesley, this festive anthem comes to us from Coventry Cathedral musician Paul Leddington Wright. True to Mr. Wright's British heritage the work is filled with bold co...

Based on the great and familiar text by George Herbert, David Giardiniere has set Erik Routley's Augustine in a lovely arrangement within the grasp of almost any good choir. Try this work on Christ th...

Concert arrangement for SATB and organ, from the collection/cantata Morning Has Broken (HMB139)

Quoting the Austrian folk carol Still, Still, Still Mark Williams scores a winner for treble choirs

Try this hymn concertato during Advent or as a part of your festival of lessons and carols. Handbells are optional but provide a nice addition.

Originally scored for unison choir, Bert Carlson has effectively set this haunting tune for mixed voices.

Thoughtful text by Fred Pratt Green set to a traditional English melody, for Maundy Thursday, or Communion throughout the year

Conductors of treble choirs everywhere have been waiting for this extended Johann Michael Haydn work provided in a quality edition by Martin Banner. Quite accessible, this piece works best with the us...

Though limited divisi is found in this mixed voices general anthem, the work is accessible for smaller choirs. Another creation by the duo Crescenz and Green.

Mostly 2-part and mixed voices, this fine anthem by Austin Lovelace sets the traditional text to a lovely new lyrical tune, very accessible.