Partitions chœur

Commissioned by Richard Gooding and Central Newcastle High School Festival Choir, who gave its first performance in December 2008.

For unaccompanied SSATTBB and echo choir SSAA. This work was written in memory of my brother, Roger. The five short phrases for choir and echo-choir, at once noble and solemn, tender and mystical, sho...

For massed unison voices, organ, piano and percussion, with optional SATB chorus. All shall be Amen and Alleluia was commissioned as the concluding piece for a concert in Princeton University Chapel,...

Arranged for > 4 Sopranos (including solo Soprano) > 2 Mezzo Sopranos > 2 Counter Tenors > 4 Tenors > 2 Baritones > 2 Basses.

For Soprano Saxophone, choir (SATB) and reader. Commissioned by the B. B. C. to commemorate the attacks of September 11, 2001.

City Solstice was commissioned by The City of London Corporation for The City of London Festival 2009, and is dedicated, with thanks, to Ian Ritchie. Instrumentations - Choir, Organ, Soprano Saxophon...

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

Commissioned by Elizabeth Chatwin in memory of her husband Bruce Chatwin. First performed by the National Chamber Choir of Ireland, conducted by Paul Hillier in Dublin on 22 July 2010.

For SATB chorus and Organ, commissioned for the Choir Schools' Association conference 2008, originally for upper voices.

This commission was supported by the Ministry of Education and Culture in Iceland and is dedicated to Hilmar Örn Agnarsson and The South Iceland Chamber Choir. The Three Shakespeare Sonnets was one of...

Lullaby was written in January 2006 for A Small World, an anthology of fifty new carols to be published in August 2006 by Gonzaga Music.

For SATB choir with Piano accompaniment. Commissioned by Distinguished Concept Artists International New York as part of the DCINY Premiere Project. By Eric Whitacre with text from E. E. Cummings.

For SATB choir with Piano accompaniment. Commissioned by Distinguished Concept Artists International New York as part of the DCINY Premiere Project. By Eric Whitacre with text from E. E. Cummings.

White key clusters in the piano create the rhythmic framework for the playful vocals sung in unison declamation or that ricochet one part to another in this E. E. Cummings setting vividly portraying a...

This languorous setting of the E. E. Cummings text features a chaconne-like left hand pattern in the piano along with right hand cluster chords and legato vocal phrases in octaves to create a meditati...

Cambridge University's 800th anniversary. First performed on 21st November 2009 by Caius Choir, under the direction of Geoffrey Webber. For choir of female voices and Trumpet.

O Radix Jesse by Polish composer PaweÅ Åukaszewski, is arranged here for unaccompanied SSAA Chorus with divisions. PaweÅ Åukaszewski is part of a younger generation of Polish composers who specialise...

For SSSAAATTBBB (with soli) and Organ. Dedicated to Her Majesty The Queen, in the year of her Diamond Jubilee. Commissioned by the Dean and Chapter of St Paul's Cathedral in celebration of the terce...

From the Pisan Cantos by Hugh Wood was commissioned by BBC Radio 3, and first performed at the Cheltenham Festival by the BBC Singers conducted by David Hill, on 5th July 2012. For 24 mixed voices

O that we were there! is a text taken from the Christian hymn In Dulci Jubilo. It expresses a longing to be present at the Incarnation of Christ, but it also conveys a longing to be out of the world o...

A setting of Tolstoy's Creed by John Tavener for SSAATTBB chorus and organ. First performance on 21st April 2013 in Washington National Cathedral, by the City Choir of Washington conducted by Robert...