Partitions chœur

A Soprano solo with SSAA chorus and Orchestra with French text, by Claude Debussy.

This setting of a 17th century anonymous text that describes a woman's love leaving her and her insistence that he will return, is written for SA chorus with either a flute/recorder and guitar accompa...

Written for SSA choir with flute and 2 clarinets as accompaniment. Instrumentalists play from choral part.

An arrangement for SSA choir of text by James Boulton to an old Welsh air.

An arrangement for SSA choir of text by W. Douglas (after "To Celia" by Ben Jonson) to an old English air.

Among the many works for which Brahms is celebrated, his Choral oeuvre is significant. This first Choral work, Ave Maria, originally written for SSAA and Organ, is not mere juvenilia. The flowing 6/8...

Vocal score for this work for SSA, two horns and harp, with words by Von Eichendorff. Accompaniment adapted and words translated by Robert Elkin.

This adaptation of a text from Shakeseare's Twelfth Night is written for the upper voices (SSA) with Piano accompaniment.

Set to words by W. G. Rothery, this is Johannes Brahms' setting of The Little Sandman, arranged for SSA choir with Piano accompaniment by John E. West.

Originally part of Brahms's Requiem Op. 45, this undulating and expressive setting has been arranged by H. A. Chambers for a chorus of high voices, with a full Piano accompaniment derived from the orc...

This exquisite setting for SSA unaccompanied voices of a well-known Marian motet (in Latin) is the first of Rebecca Clarke's choral works ever to be published.

For unaccompanied five-part women's chorus (SSSAA). Although quite short, this is one of Clarke's boldest and, in some respects, most ambitious compositions. It sets Shelley's magnificent ode to the E...