Partitions arias de concert

Accompaniment: Orchestra of the Sofia National Opera - A gorgeous collection of soprano arias from the master of romantic opera, Giacomo Puccini. Includes Butterfly's famous entrance ('Spira sul mare'...

Préface : Tout a commencé avec La Dame de Pique en 1887, lorsque Modest Tchaïkovski a entrepris d'écrire un livret d'opéra d'après la célèbre nouvelle d'Alexandre Pouchkine de 1833 pour le compositeur...

Judith Weir's work is often inspired by narrative, folklore and theatre. This creepy-crawly work was inspired by the novel Die Schwarze Spinne by Jeremias Gotthelf, a tale about an evil, venomous spid...

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton's Samson Agonistes. Edited by Donald Burrows. This latest addition t...

A text by Grahame Davies for soprano and harp, first performed by students from the Royal Welsh College of Music and Drama, at Buckingham Palace, London, in the presence of HM Queen Elizabeth II and m...

'My latest piece has a rather nice story attached to it. I was asked by my good friend Helen Charlston if I would set a poem she had written called '18th April'. This date has special significance, as...

A setting of five late poems by Friedrich Hölderlin written under his pseudonym Scardanelli. Described by the composer as Cantata for mezzo soprano and piano, the 20-minute piece explores the full ran...

Composed for Jane Manning and Barry Guy for an Arts Council Tour with the first performance on 7th December 1972. The words are from ‘To His Coy Mistress,’ by Andrew Marvell.

The Last Invocation est un cycle de chansons pour voix haute et piano qui reprend le texte du grand poète américain Walt Whitman. Il a été commandé par le Richard Hall Trust et créé au Festival Elgar...

Pour mezzo-soprano et piano, Waka est un cycle de chansons en cinq parties basé sur des traductions de la poésie japonaise Waka. Les poèmes, brefs et elliptiques, sont pour la plupart constitués d'une...

The five song set the texts As I pass at dusk (Robert Kent), The day is gone (John Keats), Carol (C Day Lewis), Come live with me (C Day Lewis), and To my brother (Siegfried Sassoon). Also available f...

The song At the Court of the Poisoned Rose was commissioned by the countertenor, James Huw-Jeffries. It is based upon a long prose poem by the Scottish poetess Marion Angus (1866-1946). Published unde...

Mozart 'Alleluia' arranged for high voice and piano in the key of F. From the motet Exultate Jubilate. Edited by Isobel Baillie.