Partitions à télécharger par Robert Longfield

Composer Raymond Scott is known for compositions that were adapted for the classic Looney Tunes cartoons. One of his signature tunes, The Toy Trumpet, was famously sung by Shirley Temple in the 1938 f...

Composer Raymond Scott is known for compositions that were adapted for the classic Looney Tunes cartoons. One of his signature tunes, The Toy Trumpet, was famously sung by Shirley Temple in the 1938 f...

Composer Raymond Scott is known for compositions that were adapted for the classic Looney Tunes cartoons. One of his signature tunes, The Toy Trumpet, was famously sung by Shirley Temple in the 1938 f...

Composer Raymond Scott is known for compositions that were adapted for the classic Looney Tunes cartoons. One of his signature tunes, The Toy Trumpet, was famously sung by Shirley Temple in the 1938 f...

Composer Raymond Scott is known for compositions that were adapted for the classic Looney Tunes cartoons. One of his signature tunes, The Toy Trumpet, was famously sung by Shirley Temple in the 1938 f...

Composer Raymond Scott is known for compositions that were adapted for the classic Looney Tunes cartoons. One of his signature tunes, The Toy Trumpet, was famously sung by Shirley Temple in the 1938 f...

Composer Raymond Scott is known for compositions that were adapted for the classic Looney Tunes cartoons. One of his signature tunes, The Toy Trumpet, was famously sung by Shirley Temple in the 1938 f...

Composer Raymond Scott is known for compositions that were adapted for the classic Looney Tunes cartoons. One of his signature tunes, The Toy Trumpet, was famously sung by Shirley Temple in the 1938 f...

Composer Raymond Scott is known for compositions that were adapted for the classic Looney Tunes cartoons. One of his signature tunes, The Toy Trumpet, was famously sung by Shirley Temple in the 1938 f...

Composer Raymond Scott is known for compositions that were adapted for the classic Looney Tunes cartoons. One of his signature tunes, The Toy Trumpet, was famously sung by Shirley Temple in the 1938 f...

Crosscurrent has all the elements for success with younger players. Set in E minor with bold melody and lots of rhythmic drive, it's a style that students love to play. A cutting edge number to add fu...

Crosscurrent has all the elements for success with younger players. Set in E minor with bold melody and lots of rhythmic drive, it's a style that students love to play. A cutting edge number to add fu...

Crosscurrent has all the elements for success with younger players. Set in E minor with bold melody and lots of rhythmic drive, it's a style that students love to play. A cutting edge number to add fu...

Crosscurrent has all the elements for success with younger players. Set in E minor with bold melody and lots of rhythmic drive, it's a style that students love to play. A cutting edge number to add fu...

Crosscurrent has all the elements for success with younger players. Set in E minor with bold melody and lots of rhythmic drive, it's a style that students love to play. A cutting edge number to add fu...

Crosscurrent has all the elements for success with younger players. Set in E minor with bold melody and lots of rhythmic drive, it's a style that students love to play. A cutting edge number to add fu...

Crosscurrent has all the elements for success with younger players. Set in E minor with bold melody and lots of rhythmic drive, it's a style that students love to play. A cutting edge number to add fu...

Crosscurrent has all the elements for success with younger players. Set in E minor with bold melody and lots of rhythmic drive, it's a style that students love to play. A cutting edge number to add fu...

Robert's newest overture for developing groups is a bold, dramatic statement with contrasting sections. The opening lines and dynamics give a visual and aural diamond shape, followed by energetic epis...

Robert's newest overture for developing groups is a bold, dramatic statement with contrasting sections. The opening lines and dynamics give a visual and aural diamond shape, followed by energetic epis...

Robert's newest overture for developing groups is a bold, dramatic statement with contrasting sections. The opening lines and dynamics give a visual and aural diamond shape, followed by energetic epis...

Robert's newest overture for developing groups is a bold, dramatic statement with contrasting sections. The opening lines and dynamics give a visual and aural diamond shape, followed by energetic epis...

Robert's newest overture for developing groups is a bold, dramatic statement with contrasting sections. The opening lines and dynamics give a visual and aural diamond shape, followed by energetic epis...

Robert's newest overture for developing groups is a bold, dramatic statement with contrasting sections. The opening lines and dynamics give a visual and aural diamond shape, followed by energetic epis...