Partitions à télécharger par Howard Skempton

A simple setting of this popular medieval Advent carol which has great originality and impact. The style is controlled, almost austere, and the effect is hypnotic. This is an unsettling but poignant p...

This setting of the Song of Songs is a fine example of Skempton's distinctive ability to distil and express the emotional essence of a text. Beautifully understated, and employing a straightforward to...

This contemplative setting of Psalm 23 presents the well-loved 'The Lord is my Shepherd' text within a four-part, homophonic texture. Hymn-like and lyrical, this unaccompanied composition is illustrat...

This is an imaginative setting of a sequence of nine poems from 'Viking Poetry of Love and War' by Judith Jesch. The war poems are formal and celebratory, making vivid use of figures of speech known a...

Originally published in The Ivy and the Holly, this lively setting of a text by Francis Kinwelmershe features a lilting melody and homophonic texture throughout, allowing the spirit of the text to shi...

Skempton's setting of one of the fool's songs from Twelfth Night is poignant and sombre, featuring angular melodies and homophonic textures that clearly convey Shakespeare's moving words. Originally p...

From the collection Epiphany to All Saints for Choirs, this lively and spiritual-influenced piece features a constantly shifting time signature and a text by the composer narrating the journey of the...

Skempton's After Rain sets an evocative text by Edward Thomas with a contemplative choral part over a rich and slow-moving cello line. Skempton alternates between contrasting upper-voice duets and ful...

A short, eloquant piece commissioned by Winchester College reflecting the spirit of Advent. Offprinted from the collection Cantica Nova.

In Skempton's effective minimalistic style, this short work sets a well-known sacred text from Ecclesiastes 3, 1DS8. Emphasis is given to the text through the homorhythmic texture and flexible metre.

Setting William Johnson Cory's translation of Callimachus's epigram, this poignant piece exemplifies Skempton's minimalist aesthetic. Using a restrained rhythmic palette of minims and crotchets, the w...

This work is based on the traditional modes/scales of Armenia. 'Duduk' is the name of the Armenian oboe that is normally accompanied by drones. Erkoreka cleverly creates the illusion of the drone's pr...

These attractive settings of the ancient Latin Advent Antiphons will be of interest to any choir seeking imaginative material for Advent or Christmas performances. Within a largely diatonic style, Jac...

Featuring sparse textures, quirky endings, and intuitive phrasing, these 24 Preludes and Fugues, in all the keys, bear the hallmarks of Skempton's Minimalist style. This set is well-suited for perform...

Field Notes is a compact, one-movement chamber work for oboe, violin, viola, and cello. The work is full of harmonic interest with chromatic and melodic passages shared equally between the parts.

La gora di mulino was commissioned for Chamber Music 2000. The Chamber Music 2000 works were designed to be technically easy, but still retain the composers own individuality and musical style. La gor...

Written as a surprise present for the Schubert Ensemble in celebration of their 30th anniversary, this playful piece for violin, viola, cello, bass, and piano has light-hearted references to Stravinsk...

Originally scored for solo piano and full orchestra, Skempton's Piano Concerto has been arranged by the composer for quintet, broadening its reach to smaller ensembles. The work consists of five short...

Originally scored for solo piano and full orchestra, Skempton's Piano Concerto has been arranged by the composer for quintet, broadening its reach to smaller ensembles. The work consists of five short...

This piece owes its title and much of its elegiac but optimistic character to a poem by Mary Webb. Webb's fine lyric verse is echoed in the song-like directness and simplicity of form captured in this...

Written for the Smith Quartet, the title refers to some of the many different meanings of the word 'catch' - fishing, tricks, rounds. The result is a twelve-minute piece played continuously and full o...

Tendrils has been described as a 'masterly display of Skempton's utterly natural art.' It is built out of continuous undulating lines that sustain their effect throughout, the impulse being lyrical an...

Moving On is a single movement work for string quartet. Skempton masterfully combines classical string quartet textures with luxuriant harmonies and a fluid approach to tonality, resulting in an appea...

Moving On is a single movement work for string quartet. Skempton masterfully combines classical string quartet textures with luxuriant harmonies and a fluid approach to tonality, resulting in an appea...