Partitions à télécharger chez Oxford University Press

Sensing was written partly as a 'prelude' to Scriabin's 9th Piano Sonata ('Black Mass'). In tribute to Scriabin the music explores a variety of keyboard 'touch' and 'colour/taste', in terms of harmony...

This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic, at others direct, the writing captures and reflects a myriad of moods, revealing Skempton's highly original voice....

Festival hymn with introductory fanfare for SATB, brass ensemble (4 trumpets, 2 trombones or 2 horns, bass trombone and optional tuba), timpani, percussion and organ. An alternative orchestral accompa...

A one movement work in three sections for clarinet, violin, and piano. The title refers to the use of both jazz and boogie slang and twentieth-century 'new music' slang throughout the composition.

A celebration of orchestral strings in three strongly contrasting movements.

This is a setting of two twelfth-century poems where the choral parts flow in a chant-like way, interrupted by ecstatic bursts, sometimes of purely instrumental colour. Both the singer and the audienc...

Blue Third Pieces, for flute or B flat clarinet and guitar is a homage to the interval of the third and its place in the blues.Including references to Ray Charles and using samples from Dizzy Gillespi...

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. Also available in versions for solo high voice...

Larsen's fantasia on the familiar hymn-tune boasts richly atmospheric organ writing and is well-suited to weddings or services focussing on fellowship or reconciliation.

Larsen's flowing meditation on the 'Veni creator' tune was written as the Pentecost entry for a multi-composer anthology based on the liturgical year. It was given one of the highest rankings in a sur...

Discover a chamber music gem of touching simplicity with 'Two Pieces for Viola (or Violin) and Cello', published by the renowned Oxford University Press. Inspired by Ralph Waldo Emerson's evocative re...

Larsen writes, '. . . I have loosely transcribed bell patterns from a field recording of Russian bells . . . the Communist persecution of the Russian Orthodox Church included the removal and destructi...

Black Birds, Red Hills is inspired by six Georgia O'Keeffe paintings, each exploring the flow of time and colour on her beloved red hills of New Mexico. This reflective portrayal is set in four moveme...

A piece about how auctioneersâ styles, pitches, timing, and complex rhythms merge to become what is their own âbid callâ.

Larsen states that she chose the instruments for Firebrand for their colour, combination and for their agility. However, rather than a nonstop, wildly virtuosic affair that might be suggested from the...

Song of Solomon 2:3,4

The tragically early death of Kenneth Leighton robbed cathedral music of one of its most individual voices. This piece is a compositional showcase: textural inventiveness, motivic cunning, and bristli...

An arrangement of the expressive 'Sweet was the song', a movement from the large-scale work 'On Christmas Night', for solo voice and piano. An optional second voice may join with a counter-melody (the...

A setting of the Archbishop Rowan Williams' text 'Advent Calendar' for choir and organ.

This joyful and vibrant carol will delight youth and adult choirs alike. The strong unison opening, with a pealing bell-like accompaniment, builds to a climactic two-part canon, brilliantly capturing...

Setting text recorded in an early fourteenth-century Cambridge manuscript, this work presents evocative solo passages above sustained notes, and rich multi-layered canon-like passages in the upper voi...

O Be Joyful is a jubilant setting of Psalm 100 from the Book of Common Prayer. Suitable for performances throughout the church year, it features fluctuating time signatures, a lively tempo, and bright...

Let your choir shine with radiant brilliance with "Sing Joyfully", published by the renowned Oxford University Press. This exhilarating choral piece for mixed choir (SSAATB) with optional organ accomp...

More sweet than my refrain is a tender miniature for three-part choir set to the text of a poem by Ralph Waldo Emerson. The motet features on the new Ars Nova Copenhagen recording, 'First Drop' (Cante...

Beach is taken from the song cycle 'Songs for Seven Storeys', which Bob Chilcott wrote to celebrate the opening of the New Evelina Children's Hospital. Combining a nostalgic melody with a haunting vio...