Partitions à télécharger chez Faber Music
Lolita composed by John Barry with words by Alan Jay Lerner from the musical Lolita, My Love in the key of D Minor arranged for voice and piano with guitar chords.
Lolita composed by John Barry with words by Alan Jay Lerner from the musical Lolita, My Love in the key of D Minor arranged for voice and piano with guitar chords.
- Piano, Voix et Guitare
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I'm Glad To See You've Got What You Want composed by Harvey Schmidt with words by Tom Jones from the musical Celebration in the key of Eb Major arranged for voice and piano with guitar chords.
I'm Glad To See You've Got What You Want composed by Harvey Schmidt with words by Tom Jones from the musical Celebration in the key of Eb Major arranged for voice and piano with guitar chords.
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The Bells Of St Mary's composed by A. Emmett Adams with words by Douglas Furber in the key of F major arranged for voice and easy piano. A simplified teaching edition for piano.
The Bells Of St Mary's composed by A. Emmett Adams with words by Douglas Furber in the key of F major arranged for voice and easy piano. A simplified teaching edition for piano.
- Piano
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Kaleidoscope composed by Sol Berkowitz with words by Phyllis Williams in the key of C Mionor arranged for voice and piano with guitar chords.
Kaleidoscope composed by Sol Berkowitz with words by Phyllis Williams in the key of C Mionor arranged for voice and piano with guitar chords.
- Piano, Voix et Guitare
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Women! Women! Women! composed by Ben Raleigh and Bernie Wayne in the key of G Major arranged for voice and piano with guitar chords.
Women! Women! Women! composed by Ben Raleigh and Bernie Wayne in the key of G Major arranged for voice and piano with guitar chords.
- Piano, Voix et Guitare
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You Gotta Show Me composed by Dudley Brooks and Nick Castle in the key of C Major arranged for voice and piano with guitar chords.
You Gotta Show Me composed by Dudley Brooks and Nick Castle in the key of C Major arranged for voice and piano with guitar chords.
- Piano, Voix et Guitare
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Step To The Rear composed by Elmer Bernstein with words by Carolyn Leigh from the musical How Now, Dow Jones in the key of F Major arranged for voice and piano with guitar chords.
Step To The Rear composed by Elmer Bernstein with words by Carolyn Leigh from the musical How Now, Dow Jones in the key of F Major arranged for voice and piano with guitar chords.
- Piano, Voix et Guitare
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Where You Are composed by Elmer Bernstein with words by Carolyn Leigh from the musical How Now, Dow Jones in the key of F Major arranged for voice and piano with guitar chords.
Where You Are composed by Elmer Bernstein with words by Carolyn Leigh from the musical How Now, Dow Jones in the key of F Major arranged for voice and piano with guitar chords.
- Piano, Voix et Guitare
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Not On Your Nellie composed by Jule Styne with words by EY Harburg from the musical Married Alive in the key of F Major arranged for voice and piano with guitar chords.
Not On Your Nellie composed by Jule Styne with words by EY Harburg from the musical Married Alive in the key of F Major arranged for voice and piano with guitar chords.
- Piano, Voix et Guitare
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Let's See What Happens composed by Jule Styne with words by EY Harburg from the musical Married Alive in the key of Eb Major arranged for voice and piano with guitar chords.
Let's See What Happens composed by Jule Styne with words by EY Harburg from the musical Married Alive in the key of Eb Major arranged for voice and piano with guitar chords.
- Piano, Voix et Guitare
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I'll Be The Words - You'll Be The Tune composed by Felix Bernard with words by Herb Magidson in the key of Eb Major arranged for voice and piano with guitar chords.
I'll Be The Words - You'll Be The Tune composed by Felix Bernard with words by Herb Magidson in the key of Eb Major arranged for voice and piano with guitar chords.
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If You Ever See Anything Of Flora composed by Joe Young, Jean Schwartz and Milton Ager in the key of C Major arranged for voice and piano with guitar chords.
If You Ever See Anything Of Flora composed by Joe Young, Jean Schwartz and Milton Ager in the key of C Major arranged for voice and piano with guitar chords.
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Somebody composed by Harvey Schmidt with words by Tom Jones from the musical Celebration in the key of Eb Major arranged for voice and piano with guitar chords.
Somebody composed by Harvey Schmidt with words by Tom Jones from the musical Celebration in the key of Eb Major arranged for voice and piano with guitar chords.
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Barcarolle Op.37, No.6 composed by Tchaikovsky and annotated and fingered by Felix Swinstead from The Mayfair Piano Classics in the key of Bb Major arranged for piano solo.
Barcarolle Op.37, No.6 composed by Tchaikovsky and annotated and fingered by Felix Swinstead from The Mayfair Piano Classics in the key of Bb Major arranged for piano solo.
- Piano
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Andante and Rondo capriccioso composed by Felix Mendelssohn and annotated and fingered by F Corder from The Mayfair Piano Classics in the key of E Major arranged for piano solo.
Andante and Rondo capriccioso composed by Felix Mendelssohn and annotated and fingered by F Corder from The Mayfair Piano Classics in the key of E Major arranged for piano solo.
- Piano
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Darling You composed by Robert Stolz with words by Harry Graham and Desmond Carter, from the show Rise And Shine in the key of C Major arranged for voice and piano with guitar chords.
Darling You composed by Robert Stolz with words by Harry Graham and Desmond Carter, from the show Rise And Shine in the key of C Major arranged for voice and piano with guitar chords.
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Happy Landing composed by Buddy De Sylva, Lew Brown and Ray Henderson in the key of D Minor arranged for voice and piano with guitar chords.
Happy Landing composed by Buddy De Sylva, Lew Brown and Ray Henderson in the key of D Minor arranged for voice and piano with guitar chords.
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You're A Builder Upper composed by Harold Arlen with words by Ira Gershwin and EY Harburg, from the musical play Life Begins At 8.40 in the key of Eb Major arranged for voice and piano with guitar cho...
You're A Builder Upper composed by Harold Arlen with words by Ira Gershwin and EY Harburg, from the musical play Life Begins At 8.40 in the key of Eb Major arranged for voice and piano with guitar cho...
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Poem Valse founded on the celebrated composition for the pianoforte by Zdenko Fibich, arranged by Charles Ancliffe for piano solo.
Poem Valse founded on the celebrated composition for the pianoforte by Zdenko Fibich, arranged by Charles Ancliffe for piano solo.
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- Charles Ancliffe
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I'm Not A Juvenile Delinquent composed by George Goldner in the key of F Major arranged for voice and piano with guitar chords.
I'm Not A Juvenile Delinquent composed by George Goldner in the key of F Major arranged for voice and piano with guitar chords.
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There's No You composed by Hal Hopper with words by Tom Adair in the key of F Major arranged for voice and piano with guitar chords.
There's No You composed by Hal Hopper with words by Tom Adair in the key of F Major arranged for voice and piano with guitar chords.
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I'm An Old Cowhand (From The Rio Grande) composed by Johnny Mercer, as performed by Bing Crosby in the key of Eb Major arranged for voice and piano with guitar chords.
I'm An Old Cowhand (From The Rio Grande) composed by Johnny Mercer, as performed by Bing Crosby in the key of Eb Major arranged for voice and piano with guitar chords.
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The Twilight Theme composed and performed by Bert Weedon with words by Sally Heron in the key of Bb Major arranged for voice and piano with guitar chords.
The Twilight Theme composed and performed by Bert Weedon with words by Sally Heron in the key of Bb Major arranged for voice and piano with guitar chords.
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I'm Glad For Your Sake But I'm Sorry For Mine composed by Jack Lawrence and Peter Tinturin in the key of F Major arranged for voice and piano with guitar chords.
I'm Glad For Your Sake But I'm Sorry For Mine composed by Jack Lawrence and Peter Tinturin in the key of F Major arranged for voice and piano with guitar chords.
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Back In The Saddle Again composed by Gene Autry and Ray Whitley in the key of C Major arranged for voice and piano with guitar chords.
Back In The Saddle Again composed by Gene Autry and Ray Whitley in the key of C Major arranged for voice and piano with guitar chords.
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