Partitions Tarik O'Regan pour chœur mixte

Written for Soprano and Tenor soloists and SATB chours. These two short Emily Dickinson (1830-1886) settings, commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series...

For SATB Chorus. Jointly commissioned by the National Chamber Choir and the Cork International Choral Festival for the seminar 'from composition to performance, the seminar on choral music'. This work...

Commissioned by the Musicians Benevolent Fund in the name of Sir Thomas Armstrong. Voce mea was first performed at the Festival of Saint Cecilia Service in Westminster Cathedral on 19th November 2008...

Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in...

The Great Silence (setting Edward Thomas' poem Snow) was commissioned by Timothy Brown and the Choir of Clare College, Cambridge. It was premiered under the direction of Timothy Brown in St John's, Sm...

O'Regan's setting of a text by Mark Pryce is a beautiful and peaceful Christmas carol, written for full mixed chorus with Harp accompanying.

A setting for unaccompanied SSAATTBB choir of lines by the Japanese poet Yone Noguchi contemplating the theme of night. Slow and sustained, the music opens and closes in hushed tones, steadily swellin...

For SSSAAATTTBBB unaccompanied chorus. No Matter sets excerpts from Samuel Beckett's 1983 prose poem Worstward Ho. It is one of the very last pieces Beckett ever wrote and remains one of his most eni...

Acallam na Senórach, by Tarik O'Regan, was co-commissioned by the National Chamber Choir of Ireland, The DeBartolo Performing Arts Center at University of Notre Dame, Indiana, and Peak Performances at...

Now available for SATB! Building on the heritage of the great arrangements of Hairston and Hogan, Tarik O'Regan creates his own unique approach in this setting for treble voices. Through layering of m...