Partitions Stephen Hatfield pour chœur mixte

This robust, full-bodied song comes from the rich musical tradition of Transylvania. The vocal figures inspired by the dance rhythms and vigorous bowing techniques of this region should inspire choirs...

This fleet-footed setting of a medieval French folksong is packed with energy and self-assurance. Sure to please!

Exploring themes of the traveler returning to home and family especially during the holidays, this work uses ostinati and superimposed lines of text in a hypnotic, jazz-flavored style that evokes the...

This four movement Missa Brevis is full of multicultural influences with deep roots in the dance. Drawing from Bulgarian rhythm and melodic, Turkish finger cymbals, mandolin figures of bluegrass waltz...

This piece is the anthem for MosaiK', a choral festival in Ottawa, the capital of Canada. One of the festival's guiding principals is the inclusion of the culture and music of both national languages,...

This is in the southern Mexican style of the Huapango. In this fast and fun music, with the flash of reds, yellows and greens and the flash in the rhythm, it's as if the entire landscape becomes the d...

Combining the Andean folk song Ojos Azules with folk songs from Ecuador and Peru, this is the sort of music that Stephen Hatfield has excelled at for so long. Scored here for choir and percussion - sm...

Jabula Jesu is not hard to learn, and yet creates very rich textures that allow for great variety in shaping and phrasing. The piece can be performed completely unaccompanied, but two or more percussi...

Originally from England, where All for Me Grog was heard in music halls as well as on ships, the shanty was sung while working the capstan and the halyard.

This energetic work combines an Irish folk melody and two Celtic mazurkas with original text, a lament for the exodus of young people from the small communities of Nova Scotia.

Reflecting the highly individualistic style he is known for, Stephen Hatfield has composed a work that straddles the line between genres, leaning toward gospel with a hint of swing and reggae. The lyr...

Written to be a reflection on the power of love, the composer has constructed a 'semi-gospel' anthem with a 'slow groove' that allows each singer to find meaning in the word 'love' for their own lives...

A Hatfield original, the text of this piece grew from email exchanges between the composer and the staff and students at the middle school who commissioned the work. The theme of the piece deals with...

A haunting melody matched by a haunting text, in an atmosphere of hushed yet vibrant magic. This sixteenth century devotional song is particularly well-suited for Christmas or Easter performances.

Nukapianguaq presents Inuit music in a choral setting that remains as faithful as possible to the aesthetics of the original tradition.

Another gem from Stephen Hatfield celebrating the tradition and ancestry of Newfoundland.

Hauntingly beautiful, this is the story of a young girl exiled to a remote island by a hard-hearted uncle. The story of love and loss that unfolds is second only to the lush harmonies of the vocal lin...

This arrangement of a British folk song is so authentic in its sound, you will almost be able to catch a hint of salt in the air. Buoyant four-part writing and accessible harmonies convey the story of...

Chor SATB, Klavier 4-händig und Schlagzeug.

Written for SATB choir, SSA choir and small ensemble or solo voice, this original piece with an original text by the composer speaks of hope and the joy that music brings to the world. With a wonderfu...

Written for 4 voices in any combination, the composer gives detailed instructions offering ways to make this fit your singers' voices in whatever stage of maturity they are in. With colorful word pain...

This is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years.

Son de Camaguey is a Cuban folk song from which the composer takes the refrain and then frames it with kaleidoscopic patters of ostinati inspired by the song, and by Afro-Cuban music in general.