Partitions Stephen Hatfield pour chœur d'enfants

A traditional Andean folk song set for three-part treble choir, this setting employs the use of exciting percussion and authentic vocal effects. The slow, melodious theme of the introduction leads int...

An old Irish carol adapted with the composer's own recollections of childhood Christmases on Vancouver Island, Canada. This heartfelt song evokes natural beauty and childhood wonderment.

Different influences from across the gospel tradition gather together in this spirited piece. Body percussion and double choir call and response make for a vivid performance!

The text of this song is based of the story Det utroligste by Hans Christian Andersen.

The bluesy, sultry feel of this Stephen Hatfield original will have singers and audiences grooving to the beat long after the music has ended. Written as a birthday tribute, this song contemplates the...

A Yiddish lament set to an unstoppable dance groove. The rhythms and melodic contour evoke the Middle East without being culturally specific, and driving percussion fuels cantabile vocal lines. A uniq...

From Hatfield's opera Ann and Séamus, this is an adaptation from the third scene. The imagery of the sea, salty air, a hard day's work, and an impending storm are all richly portrayed. The piano part...

This original piece incorporates a multiplicity of multicultural influences, from Peru to Scotland. The text is a sequence of nonsense syllables, imitating the humming and muttering one does during ho...

This original piece incorporates a multiplicity of multicultural influences, from Peru to Scotland. The text is a sequence of nonsense syllables, imitating the humming and muttering one does during ho...

In this irresistible Brazilian song setting, vocal lines imitate percussion patterns to create a truly infectious groove.

Kinderchor (3 Stimmen) und Dudelsack (oder C- oder B-Instrument, optional).

Kinderchor oder Frauenchor (SSAA) und Dudelsack oder optionales C oder B Instrument.

Hatfield writes: “The Title of my piece pays tribute to Bach's Three Part Inventions: in this case, two vocal parts with the pianist making the third partner in crime. The Conniption was written...

Stimmensatz - Violine, Akkordeon, Gitarre, Kontrabass

Text from Shakespeare's The Tempest. This piece acts as a kind of spectrum which both breaks a unity into diverse colors, and reassembles the diverse colors into a unity.

A colorful and lively Scottish ballad telling the tale of Lady Ann, gone to Edinburgh to save her man Geordie from wrongful execution. Each of the four vocal parts has its chance to sing!

This exciting arrangement of a traditional gospel swing is full of accents, scoops and body percussion that will challenge your choir to internalize the lively and spirited gospel style.

This original piece incorporates a multiplicity of multicultural influences, from Peru to Scotland. The text is a sequence of nonsense syllables, imitating the humming and muttering one does during ho...

This suite emulates the long phrases and finely developed breath control that is a hallmark of Gaelic singing.

Battant Son Plein is French slang, literally “hitting his fill,” the equivalent of the English “in full swing.” Written for Scala, a children's choir from Bruxelles, the title...

Glettur is an Icelandic word that means “happiness,” but with a strong teasing edge. Somebody who is glettin will have a warm heart, but watch out for the garlic gym and the dribble glass....